Hollis Frampton : : Navigating the Infinite Cinema / / Michael Zryd.
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished e...
Saved in:
| VerfasserIn: | |
|---|---|
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: From the Chemistry of Cobalt to the Chemistry of Dirt
- 1. A Brief Introduction to Frampton’s Films Before Magellan
- 2. An Introduction to Magellan
- 3. Metahistory and the Archive: “Historical Necessity” and Tradition
- 4. Encyclopedism, the Universe, and Everything
- 5. Archaeology: Millennial Allegories of Art, Representation, and Politics in the Camera Arts
- 6. The Constellation
- Conclusion: Virtual Future Metahistory
- Notes
- Bibliography
- Index