“Keep ’Em in the East” : : Kazan, Kubrick, and the Postwar New York Film Renaissance / / Richard Koszarski.
The year 1955 was a watershed one for New York’s film industry: Elia Kazan’s On the Waterfront took home eight Oscars, and, more quietly, Stanley Kubrick released the low-budget classic Killer’s Kiss. A wave of films that changed how American movies were made soon followed, led by directors such as...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2021 |
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| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2021] ©2021 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Film and Culture Series
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| Online Access: | |
| Physical Description: | 1 online resource :; 32 b&w illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- INTRODUCTION
- PART I: ROOTS
- 1. Not Just Another Location
- 2. The Pathé Studio: Miniature Hollywood or Just Another False Dawn?
- 3. Now It Can Be Told: Louis de Rochemont, Henry Hathaway, and the Birth of Docudrama
- 4. Race Movies: New York’s Original Independent Cinema
- PART II: REVIVAL
- 5. Eight Million Stories
- 6. The O’Dwyer Plan
- 7. Joe Lerner’s New York Noir
- 8. Just Passing Through
- 9. Pictures and Politics
- PART III: RENAISSANCE
- 10. Crime on the Waterfront
- 11. Obsessed with Film
- 12. The Golden Warrior
- 13. Kiss Me, Kill Me
- 14. “And the Winner in New York Is . . .”
- 15. Happy Ending
- 16. Thank You, Hollywood!
- ABBREVIATIONS
- NOTES
- INDEX
- FILM AND CULTURE