Internationalist Aesthetics : : China and Early Soviet Culture /

Internationalist Aesthetics : : China and Early Soviet Culture / / Edward Tyerman.

Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target....

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2021
VerfasserIn:
Tyerman, Edward,
Place / Publishing House:New York, NY : : Columbia University Press, , [2021]
©2021
Year of Publication:2021
Language:English
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Physical Description:1 online resource :; 27 b&w figures
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • ACKNOWLEDGMENTS
  • INTRODUCTION: CHINA AND EARLY SOVIET CULTURE
  • 1. SIGHT, SOUND, AND SIMILARITY: SOVIET WRITERS TRAVEL TO CHINA
  • 2. TRANSLATING CHINA ONSTAGE: ROAR, CHINA! AND THE RED POPPY
  • 3. THROUGH AN INTERNATIONALIST LENS: CHINA IN EARLY SOVIET CINEMA
  • 4. CONFESSIONS AND COLLABORATIONS: AUTHORITY, AGENCY AND FACTOGRAPHIC INTERNATIONALISM IN DEN SHI-KHUA
  • EPILOGUE: INTERNATIONAL LITERATURE, NATIONAL FORM, AND MISSED CONNECTIONS
  • NOTES
  • BIBLIOGRAPHY AND SOURCES
  • INDEX

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