Modernism at the Beach : : Queer Ecologies and the Coastal Commons / / Hannah Freed-Thall.

At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusiv...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2023
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Place / Publishing House:New York, NY : : Columbia University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Modernist Latitudes
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Physical Description:1 online resource
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: The Beach Effect --   |t Chapter One: Proust’s Leap --   |t Chapter Two: Intertidal Woolf --   |t Chapter Three: Carson’s Quiet Bower --   |t Chapter Four: McKay’s Dream Port --   |t Chapter Five: Tidewrack, Beckett to Sunde --   |t Notes --   |t Works cited --   |t Index 
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520 |a At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness.The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices—including tide-pooling, beachcombing, gambling, and sunbathing—as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world.Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. 
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588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
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