The Best American Magazine Writing 2019 / / ed. by Sid Holt.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2019
• MitwirkendeR: Arax, Mark,; Betts, Reginald Dwayne,; Cordell, Kasey,; Dreier, Hannah,; Flanagan, Caitlin,; Foer, Franklin,; Félix, Doreen St.,; Jamison, Leslie,; Koehler, Lindsey B.,; Lennon, John J.,; Lepore, Jill,; MacGregor, Jeff,; Moss, Adam,; Parker, Laura,; Saltz, Jerry,; Taub, Ben,; Toosi, Nahal,; Wright, Robert,
• HerausgeberIn: Holt, Sid,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Introduction --; Acknowledgments --; THE BEST AMERICAN MAGAZINE WRITING 2019 --; A Betrayal --; American Hustler --; A Kingdom from Dust --; Shallow Graves and An Interview with Ben Taub by Eric Sullivan --; The Genocide the U.S. Didn't See Coming --; We Made It. We Depend on It. We're Drowning in It. Plastic --; The First Porn President and I Believe Her and The Abandoned World of 1982 --; Misjudged --; The National Geographic Twins and the Falsehood of Our Post- Racial Future and The Profound Presence of Doria Ragland and The Ford- Kavanaugh Hearing Will Be Remembered as a Grotesque Display of Patriarchal Resentment --; This Place Is Crazy --; Getting Out of Prison Meant Leaving Dear Friends Behind --; Getting Out --; How to Be an Artist --; The Art of Dying Well --; Taming the Lionfish --; The Breakup Museum --; Skinned, by Lesley Nneka Arimah, and A Conversation with Claire Boyle and Karolina Waclawiak --; Permissions --; Contributors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231548663; 9783110651959; 9783110610765; 9783110664232; 9783110610192; 9783110606256
• DOI: 10.7312/asme19001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Sid Holt.

The Best American Magazine Writing 2019 presents articles honored by this year's National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic).Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts's "Getting Out" (New York Times Magazine); "This Place Is Crazy," by John J. Lennon (Esquire); and Robert Wright's "Getting Out of Prison Meant Leaving Dear Friends Behind" (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer's "American Hustler" explores Paul Manafort's career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Félix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder "The Art of Dying Well" (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub's piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney's editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney's winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.