On the Screen : : Displaying the Moving Image, 1926-1942 / / Ariel Rogers.
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experimen...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2019 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Film and Culture Series
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Online Access: | |
Physical Description: | 1 online resource :; 65 b&w illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGMENTS
- INTRODUCTION
- 1. Production Screens in the Long 1930s: Rear Projection and Special Effects
- 2. Theatrical Screens, 1926- 1931: Transforming the Screen
- 3. Theatrical Screens, 1931- 1940: Integrating the Screen
- 4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit
- Coda: Multiplicity, Immersion, and the New Screens
- Notes
- Bibliography
- Index