Infowhelm : : Environmental Art and Literature in an Age of Data / / Heather Houser.

How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art?...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2020
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Place / Publishing House:New York, NY : : Columbia University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Online Access:
Physical Description:1 online resource :; 37 b&w illustrations
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245 1 0 |a Infowhelm :  |b Environmental Art and Literature in an Age of Data /  |c Heather Houser. 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t Introduction: Environmental Art in the Infowhelm --   |t Part 1. Cultural Climate Knowledge --   |t Part 2. The New Natural History --   |t Part 3. Aerial Environmentalisms --   |t Epilogue: Can Thinking Make It So? --   |t ACKNOWLEDGMENTS --   |t NOTES --   |t WORKS CITED --   |t INDEX 
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520 |a How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload.Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Arts, Modern  |x Themes, motives. 
650 0 |a Environmentalism in art. 
650 0 |a Environmentalism in literature. 
650 0 |a Global environmental change. 
650 0 |a Information behavior. 
650 0 |a Science and the arts. 
650 7 |a LITERARY CRITICISM / Semiotics & Theory.  |2 bisacsh 
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