Social Appearances : : A Philosophy of Display and Prestige / / Barbara Carnevali.

Philosophers have long distinguished between appearance and reality, and the opposition between a supposedly deceptive surface and a more profound truth is deeply rooted in Western culture. At a time of obsession with self-representation, when politics is enmeshed with spectacle and social and econo...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2020
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Place / Publishing House:New York, NY : : Columbia University Press, , [2020]
©2019
Year of Publication:2020
Language:English
Series:Columbia Themes in Philosophy, Social Criticism, and the Arts
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Physical Description:1 online resource
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Prologue
  • PART I. APPEARING: ON THE AESTHETIC FOUNDATIONS OF SOCIAL LIFE
  • 1. Life as a Spectacle: Self- Display, Reflexivity, and Artifice
  • 2. Masks and Clothes: Medial Surfaces and the Dialectic of Appearing
  • 3. Aesthetic Mediation: A Theory of Representations
  • 4. Figures: Social Images
  • 5. Out of Control: The Alienated Image
  • PART II. VANITY AND LIES: ON THE HOSTILITY TOWARD APPEARANCES
  • 6. “Vanity Fair”: The Frivolity of Worldliness
  • 7. Against the Mask: The Rise of Social Romanticism
  • 8. Against the Spectacle: The Crusade of Romantic Anticapitalism
  • 9. Against Aesthetic Values: Aestheticism, Aestheticization, and Staging
  • 10. Two Baptisms and a Divorce: Homo Economicus Versus Homo Aestheticus
  • PART III. TOWARD A SOCIAL AESTHETICS: ON THE SENSIBLE LOGIC OF SOCIETY
  • 11. The Opening: Aesthetic Foundations of the Common World
  • 12. Aisthesis: Senses and Social Sensibility
  • 13. Social Taste and the Will to Please
  • 14. Aesthetic Labor and Social Design: The Value of Appearances
  • 15. Prestige and Other Magic Spells
  • Conclusion: Social Immaterialism or the Philosophy of Andy Warhol
  • Afterword
  • Appendix: Illustrations Mentioned in the Text
  • Notes
  • Index