Sentimental Tales / / Mikhail Zoshchenko.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2018
• VerfasserIn: Zoshchenko, Mikhail,
• MitwirkendeR: Dralyuk, Boris,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Russian Library
• Physical Description: 1 online resource :; no art
• Other title: Frontmatter --; CONTENTS --; Acknowledgments --; Introduction --; A Note on the Text --; Preface to the First Edition --; Preface to the Second Edition --; Preface to the Third Edition --; Preface to the Fourth Edition --; 1. Apollo and Tamara --; 2. People --; 3. A Terrible Night --; 4. What the Nightingale Sang --; 5. A Merry Adventure --; 6. Lilacs in Bloom --; Notes
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231545150; 9783110606607; 9783110604252; 9783110603255; 9783110604184; 9783110603187
• DOI: 10.7312/zosh18378
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Mikhail Zoshchenko.

Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, who is anything but a model Soviet author: not only is he still attached to the era of the old regime, he is also, quite simply, not a very good writer. Shaped by Zoshchenko’s masterful hands—he takes credit for editing the tales in a series of comic prefaces—Kolenkorov’s prose is beautifully mangled, full of stylistic infelicities, overloaded flights of metaphor, tortured cliché, and misused bureaucratese, in the tradition of Gogol.Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era.