Contemporary Drift : : Genre, Historicism, and the Problem of the Present / / Theodore Martin.

What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, pa...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017
VerfasserIn:
Place / Publishing House:New York, NY : : Columbia University Press, , [2017]
©2017
Year of Publication:2017
Language:English
Series:Literature Now
Online Access:
Physical Description:1 online resource (272 p.) :; 23 b&w photographs
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 05133nam a2200769 4500
001 9780231543897
003 DE-B1597
005 20240625070013.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 240625t20172017nyu fo d z eng d
010 |a 2016058572 
019 |a (OCoLC)984512331 
020 |a 9780231543897 
024 7 |a 10.7312/mart18192  |2 doi 
035 |a (DE-B1597)480300 
035 |a (OCoLC)984686831 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a nyu  |c US-NY 
050 0 0 |a PS374.C596  |b M37 2017 
050 4 |a PS374.C596  |b M37 2019 
072 7 |a PER004030  |2 bisacsh 
082 0 4 |a 813.609  |2 23 
100 1 |a Martin, Theodore,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Contemporary Drift :  |b Genre, Historicism, and the Problem of the Present /  |c Theodore Martin. 
264 1 |a New York, NY :   |b Columbia University Press,   |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (272 p.) :  |b 23 b&w photographs 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Literature Now 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: Theses on the Concept of the Contemporary --   |t Chapter One. Decade: Period Pieces --   |t Chapter Two. Revival: Situating Noir --   |t Chapter Three. Waiting: Mysterious Circumstances --   |t Chapter Four. Weather: Western Climes --   |t Chapter Five. Survival: Work and Plague --   |t Conclusion: How to Historicize the Present --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem.Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a American fiction  |y 21st century  |x History and criticism. 
650 0 |a Contemporary, The, in literature. 
650 0 |a Contemporary, The, in motion pictures. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Columbia University Press Complete eBook-Package 2017  |z 9783110543308 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t EBOOK PACKAGE COMPLETE 2017  |z 9783110540550  |o ZDB-23-DGG 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t EBOOK PACKAGE COMPLETE ENGLISH 2017  |z 9783110625264 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t EBOOK PACKAGE Literary, Cultural and Area Studies 2017  |z 9783110548198  |o ZDB-23-DKU 
776 0 |c print  |z 9780231181921 
856 4 0 |u https://doi.org/10.7312/mart18192 
856 4 0 |u https://www.degruyter.com/isbn/9780231543897 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9780231543897/original 
912 |a 978-3-11-054330-8 Columbia University Press Complete eBook-Package 2017  |b 2017 
912 |a 978-3-11-062526-4 EBOOK PACKAGE COMPLETE ENGLISH 2017  |b 2017 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a ZDB-23-DGG  |b 2017 
912 |a ZDB-23-DKU  |b 2017