Narrative and Narration : : Analyzing Cinematic Storytelling / / Warren Buckland.
From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains...
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| Superior document: | Title is part of eBook package: De Gruyter Art and Architecture eBook-Package 2020 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2020] ©2021 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Short Cuts
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| Online Access: | |
| Physical Description: | 1 online resource :; 9 film stills |
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Table of Contents:
- Frontmatter
- CONTENTS
- Preface
- Acknowledgments
- PART 1. THE BASICS
- 1 The Emergence of Narrative, Narration, and Narrative Agents in Early Cinema (The Gay Shoe Clerk)
- 2 Narrative Structure in Classical and Contemporary Hollywood (Hitchcock and James Bond)
- 3 Narration (Gone Girl, beDevil, and Jurassic Park)
- 4 Enunciation and Reflexivity (The Grand Budapest Hotel and Marnie)
- PART 2. TYPES OF STORYTELLING
- 5 Feminism, Narrative, Authorship (Gone Girl and Orlando)
- 6 Art Cinema Narration (Alice in the Cities and Inland Empire)
- 7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect)
- 8 Videogame Logic (The Fifth Element, Inception, and Source Code)
- Coda
- Works Cited
- Index