The Psycho Records / / Laurence Rickels.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016
• VerfasserIn: Rickels, Laurence,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2016]; ©2016
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource (216 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Preface: Late arrival of the 'New Vampire Lectures' --; Psycho−Historical Introduction --; Record One: Playing Catch Up with the Vampire - But with True Blood --; Record Two: Schauer Scenes --; Record Three: Alternate History - 1960 --; Record Four: Epidemics of Mass Murder --; Record Five: Manuals --; Record Six: Still Working on It --; Record Seven: Phantoms --; Record Eight: The Turning --; Record Nine: The Crowd and the Couple --; Record Ten: Getting Into B-Pictures --; Record Eleven: The Emperor's New Closure --; Record Twelve: By Rule of Tomb --; Record Thirteen: The Renewal of Psycho Horror by Compact with the Devil --; Filmography --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231543491; 9783110638578; 9783110485165; 9783110485103
• DOI: 10.7312/rick18112
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Laurence Rickels.

?The Psycho Records follows the influence of the primal shower scene within subsequent slasher and splatter films. American soldiers returning from World War II were called "psychos" if they exhibited mental illness. Robert Bloch and Alfred Hitchcock turned the term into a catch-all phrase for a range of psychotic and psychopathic symptoms or dispositions. They transferred a war disorder to the American heartland. Drawing on his experience with German film, Hitchcock packed inside his shower stall the essence of schauer, the German cognate meaning "horror." Later serial horror film production has post-traumatically flashed back to Hitchcock's shower scene. In the end, though, this book argues the effect is therapeutically finite. This extensive case study summons the genealogical readings of philosopher and psychoanalyst Laurence Rickels. The book opens not with another reading of Hitchcock's 1960 film but with an evaluation of various updates to vampirism over the years. It concludes with a close look at the rise of demonic and infernal tendencies in horror movies since the 1990s and the problem of the psycho as our most uncanny double in close quarters.