After Uniqueness : : A History of Film and Video Art in Circulation / / Erika Balsom.
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital r...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2017] ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Film and Culture Series
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Online Access: | |
Physical Description: | 1 online resource (320 p.) :; 27 b&w illustrations |
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001 | 9780231543125 | ||
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019 | |a (OCoLC)984688376 | ||
020 | |a 9780231543125 | ||
024 | 7 | |a 10.7312/bals17692 |2 doi | |
035 | |a (DE-B1597)480283 | ||
035 | |a (OCoLC)980849485 | ||
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100 | 1 | |a Balsom, Erika, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a After Uniqueness : |b A History of Film and Video Art in Circulation / |c Erika Balsom. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2017] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (320 p.) : |b 27 b&w illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Film and Culture Series | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: Copy Rites -- |t 1. The Promise and Threat of Reproducibility -- |t 2. 8 mm and the "Blessings of Books and Records" -- |t 3. Bootlegging Experimental Film -- |t 4. Copyright and the Commons -- |t 5. The Limited Edition -- |t 6. The Event of Projection -- |t 7. A Cinematic Bayreuth -- |t 8. Transmission, from the Movie-Drome to Vdrome -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity-or both at once.From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Art and motion pictures. | |
650 | 0 | |a Motion picture audiences |x History. | |
650 | 0 | |a Motion picture industry |x Technological innovations. | |
650 | 0 | |a Motion pictures and the arts. | |
650 | 0 | |a Video art |x History. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2017 |z 9783110543308 |
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773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2017 |z 9783110540550 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE ENGLISH 2017 |z 9783110625264 |
776 | 0 | |c print |z 9780231176927 | |
856 | 4 | 0 | |u https://doi.org/10.7312/bals17692 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231543125 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231543125/original |
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