Chromatic Modernity : : Color, Cinema, and Media of the 1920s / / Joshua Yumibe, Sarah Street.
The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor-despite the fact that new color technologies used in film, advertising, fash...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2019 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Film and Culture Series
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Online Access: | |
Physical Description: | 1 online resource :; 120 illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- ILLUSTRATIONS
- ACKNOWLEDGMENTS
- INTRODUCTION
- 1. Color Standards and the Industrial Field of Film
- 2. Advertising, Fashion, and Color
- 3. Synthetic Dreams: Expanded Spaces of Cinema
- 4. Color in the Art and Avant-Garde of the 1920s
- 5. Chromatic Hybridity
- 6. Color and the Coming of Sound
- 7. Conclusion
- NOTES
- SELECTED BIBLIOGRAPHY
- INDEX