Imitation and Creativity in Japanese Arts : : From Kishida Ryusei to Miyazaki Hayao / / Michael Lucken.
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package |
---|---|
VerfasserIn: | |
TeilnehmendeR: | |
Place / Publishing House: | New York, NY : : Columbia University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | Asia Perspectives: History, Society, and Culture
|
Online Access: | |
Physical Description: | 1 online resource (256 p.) :; 40 b&w illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780231540544 |
---|---|
lccn |
2015027592 |
ctrlnum |
(DE-B1597)473087 (OCoLC)945038293 |
collection |
bib_alma |
record_format |
marc |
spelling |
Lucken, Michael, author. aut http://id.loc.gov/vocabulary/relators/aut Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / Michael Lucken. New York, NY : Columbia University Press, [2016] ©2016 1 online resource (256 p.) : 40 b&w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Asia Perspectives: History, Society, and Culture Frontmatter -- Contents -- Introduction -- PART I. A Historical Construction -- 1. Copycat Japan -- 2. The West and the Invention of Creation -- 3. The Denial, Rejection, and Sublimation of Imitation -- 4. No Poaching -- 5. Seen from Japan -- 6. The Logic of Reflection in Nakai Masakazu -- PART II. A New Place for Imitation -- 7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work? -- 8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor -- 9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones -- 10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques -- Conclusion -- Notes -- Select Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Creation (Literary, artistic, etc.) Creation (Literary, artistic, etc.). Imitation in art. ART / Asian / General. bisacsh Simkin, Francesca. Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package 9783110649826 Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 9783110638578 Title is part of eBook package: De Gruyter EBOOK PACKAGE Architecture and Design 2016 9783110482812 ZDB-23-DAD Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 9783110485103 ZDB-23-DGG print 9780231172929 https://doi.org/10.7312/luck17292 https://www.degruyter.com/isbn/9780231540544 Cover https://www.degruyter.com/document/cover/isbn/9780231540544/original |
language |
English |
format |
eBook |
author |
Lucken, Michael, Lucken, Michael, |
spellingShingle |
Lucken, Michael, Lucken, Michael, Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / Asia Perspectives: History, Society, and Culture Frontmatter -- Contents -- Introduction -- PART I. A Historical Construction -- 1. Copycat Japan -- 2. The West and the Invention of Creation -- 3. The Denial, Rejection, and Sublimation of Imitation -- 4. No Poaching -- 5. Seen from Japan -- 6. The Logic of Reflection in Nakai Masakazu -- PART II. A New Place for Imitation -- 7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work? -- 8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor -- 9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones -- 10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques -- Conclusion -- Notes -- Select Bibliography -- Index |
author_facet |
Lucken, Michael, Lucken, Michael, Simkin, Francesca. |
author_variant |
m l ml m l ml |
author_role |
VerfasserIn VerfasserIn |
author2 |
Simkin, Francesca. |
author2_variant |
f s fs |
author2_role |
TeilnehmendeR |
author_sort |
Lucken, Michael, |
title |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / |
title_sub |
From Kishida Ryusei to Miyazaki Hayao / |
title_full |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / Michael Lucken. |
title_fullStr |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / Michael Lucken. |
title_full_unstemmed |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / Michael Lucken. |
title_auth |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / |
title_alt |
Frontmatter -- Contents -- Introduction -- PART I. A Historical Construction -- 1. Copycat Japan -- 2. The West and the Invention of Creation -- 3. The Denial, Rejection, and Sublimation of Imitation -- 4. No Poaching -- 5. Seen from Japan -- 6. The Logic of Reflection in Nakai Masakazu -- PART II. A New Place for Imitation -- 7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work? -- 8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor -- 9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones -- 10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques -- Conclusion -- Notes -- Select Bibliography -- Index |
title_new |
Imitation and Creativity in Japanese Arts : |
title_sort |
imitation and creativity in japanese arts : from kishida ryusei to miyazaki hayao / |
series |
Asia Perspectives: History, Society, and Culture |
series2 |
Asia Perspectives: History, Society, and Culture |
publisher |
Columbia University Press, |
publishDate |
2016 |
physical |
1 online resource (256 p.) : 40 b&w illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Introduction -- PART I. A Historical Construction -- 1. Copycat Japan -- 2. The West and the Invention of Creation -- 3. The Denial, Rejection, and Sublimation of Imitation -- 4. No Poaching -- 5. Seen from Japan -- 6. The Logic of Reflection in Nakai Masakazu -- PART II. A New Place for Imitation -- 7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work? -- 8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor -- 9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones -- 10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques -- Conclusion -- Notes -- Select Bibliography -- Index |
isbn |
9780231540544 9783110649826 9783110638578 9783110482812 9783110485103 9780231172929 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX160 |
callnumber-sort |
NX 3160 L83 42016 |
url |
https://doi.org/10.7312/luck17292 https://www.degruyter.com/isbn/9780231540544 https://www.degruyter.com/document/cover/isbn/9780231540544/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
701 - Philosophy of fine & decorative arts |
dewey-full |
701.150952 |
dewey-sort |
3701.150952 |
dewey-raw |
701.150952 |
dewey-search |
701.150952 |
doi_str_mv |
10.7312/luck17292 |
oclc_num |
945038293 |
work_keys_str_mv |
AT luckenmichael imitationandcreativityinjapaneseartsfromkishidaryuseitomiyazakihayao AT simkinfrancesca imitationandcreativityinjapaneseartsfromkishidaryuseitomiyazakihayao |
status_str |
n |
ids_txt_mv |
(DE-B1597)473087 (OCoLC)945038293 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 Title is part of eBook package: De Gruyter EBOOK PACKAGE Architecture and Design 2016 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 |
is_hierarchy_title |
Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao / |
container_title |
Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1806143056546627584 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05377nam a22008775i 4500</leader><controlfield tag="001">9780231540544</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20162016nyu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2015027592</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)979575420</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231540544</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/luck17292</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)473087</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)945038293</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">NX160</subfield><subfield code="b">.L83 2016</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NX160</subfield><subfield code="b">.L83 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART019000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">701.150952</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lucken, Michael, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Imitation and Creativity in Japanese Arts :</subfield><subfield code="b">From Kishida Ryusei to Miyazaki Hayao /</subfield><subfield code="c">Michael Lucken.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">Columbia University Press, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (256 p.) :</subfield><subfield code="b">40 b&w illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Asia Perspectives: History, Society, and Culture</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">PART I. A Historical Construction -- </subfield><subfield code="t">1. Copycat Japan -- </subfield><subfield code="t">2. The West and the Invention of Creation -- </subfield><subfield code="t">3. The Denial, Rejection, and Sublimation of Imitation -- </subfield><subfield code="t">4. No Poaching -- </subfield><subfield code="t">5. Seen from Japan -- </subfield><subfield code="t">6. The Logic of Reflection in Nakai Masakazu -- </subfield><subfield code="t">PART II. A New Place for Imitation -- </subfield><subfield code="t">7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work? -- </subfield><subfield code="t">8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor -- </subfield><subfield code="t">9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones -- </subfield><subfield code="t">10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Select Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Imitation in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Asian / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Simkin, Francesca.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Asian Studies Contemporary Collection eBook Package</subfield><subfield code="z">9783110649826</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Columbia University Press Complete eBook-Package 2016</subfield><subfield code="z">9783110638578</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Architecture and Design 2016</subfield><subfield code="z">9783110482812</subfield><subfield code="o">ZDB-23-DAD</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2016</subfield><subfield code="z">9783110485103</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780231172929</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/luck17292</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780231540544</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780231540544/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-063857-8 Columbia University Press Complete eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-064982-6 Asian Studies Contemporary Collection eBook Package</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA18STMEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DAD</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2016</subfield></datafield></record></collection> |