The Practices of the Enlightenment : : Aesthetics, Authorship, and the Public / / Dorothea von Mücke.
Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aes...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | Columbia Themes in Philosophy, Social Criticism, and the Arts
|
Online Access: | |
Physical Description: | 1 online resource (320 p.) :; ‹B›13 illustrations‹/B› |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780231539333 |
---|---|
lccn |
2014035520 |
ctrlnum |
(DE-B1597)458538 (OCoLC)979621011 |
collection |
bib_alma |
record_format |
marc |
spelling |
von Mücke, Dorothea, author. aut http://id.loc.gov/vocabulary/relators/aut The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / Dorothea von Mücke. New York, NY : Columbia University Press, [2015] ©2015 1 online resource (320 p.) : ‹B›13 illustrations‹/B› text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Columbia Themes in Philosophy, Social Criticism, and the Arts Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS -- INTRODUCTION -- 1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS -- 2. DISINTERESTED INTEREST -- 3. BEAUTIFUL, NOT INTELLIGENT DESIGN -- 4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS -- 5. "WHERE NATURE GIVES THE RULE TO ART" -- 6. THE STRASBOURG CATHEDRAL -- CONCLUSION -- PART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP -- INTRODUCTION -- 7. PIETISM -- 8. ROUSSEAU -- 9. GOETHE -- PART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC -- INTRODUCTION -- 10. PATRIOTIC INVOCATIONS OF THE PUBLIC -- 11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC -- 12. MOBILIZING A CRITICAL PUBLIC -- Notes -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment.By engaging with three critical categories-aesthetics, authorship, and the public sphere-The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Aesthetics. Authorship. Enlightenment. PHILOSOPHY / Aesthetics. bisacsh Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 9783110665864 print 9780231172462 https://doi.org/10.7312/vonm17246 https://www.degruyter.com/isbn/9780231539333 Cover https://www.degruyter.com/document/cover/isbn/9780231539333/original |
language |
English |
format |
eBook |
author |
von Mücke, Dorothea, von Mücke, Dorothea, |
spellingShingle |
von Mücke, Dorothea, von Mücke, Dorothea, The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / Columbia Themes in Philosophy, Social Criticism, and the Arts Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS -- 1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS -- 2. DISINTERESTED INTEREST -- 3. BEAUTIFUL, NOT INTELLIGENT DESIGN -- 4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS -- 5. "WHERE NATURE GIVES THE RULE TO ART" -- 6. THE STRASBOURG CATHEDRAL -- CONCLUSION -- PART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP -- 7. PIETISM -- 8. ROUSSEAU -- 9. GOETHE -- PART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC -- 10. PATRIOTIC INVOCATIONS OF THE PUBLIC -- 11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC -- 12. MOBILIZING A CRITICAL PUBLIC -- Notes -- Index |
author_facet |
von Mücke, Dorothea, von Mücke, Dorothea, |
author_variant |
m d v md mdv m d v md mdv |
author_role |
VerfasserIn VerfasserIn |
author_sort |
von Mücke, Dorothea, |
title |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / |
title_sub |
Aesthetics, Authorship, and the Public / |
title_full |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / Dorothea von Mücke. |
title_fullStr |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / Dorothea von Mücke. |
title_full_unstemmed |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / Dorothea von Mücke. |
title_auth |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS -- 1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS -- 2. DISINTERESTED INTEREST -- 3. BEAUTIFUL, NOT INTELLIGENT DESIGN -- 4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS -- 5. "WHERE NATURE GIVES THE RULE TO ART" -- 6. THE STRASBOURG CATHEDRAL -- CONCLUSION -- PART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP -- 7. PIETISM -- 8. ROUSSEAU -- 9. GOETHE -- PART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC -- 10. PATRIOTIC INVOCATIONS OF THE PUBLIC -- 11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC -- 12. MOBILIZING A CRITICAL PUBLIC -- Notes -- Index |
title_new |
The Practices of the Enlightenment : |
title_sort |
the practices of the enlightenment : aesthetics, authorship, and the public / |
series |
Columbia Themes in Philosophy, Social Criticism, and the Arts |
series2 |
Columbia Themes in Philosophy, Social Criticism, and the Arts |
publisher |
Columbia University Press, |
publishDate |
2015 |
physical |
1 online resource (320 p.) : ‹B›13 illustrations‹/B› Issued also in print. |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS -- 1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS -- 2. DISINTERESTED INTEREST -- 3. BEAUTIFUL, NOT INTELLIGENT DESIGN -- 4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS -- 5. "WHERE NATURE GIVES THE RULE TO ART" -- 6. THE STRASBOURG CATHEDRAL -- CONCLUSION -- PART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP -- 7. PIETISM -- 8. ROUSSEAU -- 9. GOETHE -- PART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC -- 10. PATRIOTIC INVOCATIONS OF THE PUBLIC -- 11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC -- 12. MOBILIZING A CRITICAL PUBLIC -- Notes -- Index |
isbn |
9780231539333 9783110665864 9780231172462 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
B - Philosophy |
callnumber-label |
B802 |
callnumber-sort |
B 3802 M79 42015 |
url |
https://doi.org/10.7312/vonm17246 https://www.degruyter.com/isbn/9780231539333 https://www.degruyter.com/document/cover/isbn/9780231539333/original |
illustrated |
Not Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
190 - Modern western philosophy |
dewey-ones |
190 - Modern western philosophy |
dewey-full |
190.9/033 |
dewey-sort |
3190.9 233 |
dewey-raw |
190.9/033 |
dewey-search |
190.9/033 |
doi_str_mv |
10.7312/vonm17246 |
oclc_num |
979621011 |
work_keys_str_mv |
AT vonmuckedorothea thepracticesoftheenlightenmentaestheticsauthorshipandthepublic AT vonmuckedorothea practicesoftheenlightenmentaestheticsauthorshipandthepublic |
status_str |
n |
ids_txt_mv |
(DE-B1597)458538 (OCoLC)979621011 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
The Practices of the Enlightenment : Aesthetics, Authorship, and the Public / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
_version_ |
1770176062852956160 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04774nam a22007335i 4500</leader><controlfield tag="001">9780231539333</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20152015nyu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2014035520</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231539333</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/vonm17246</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)458538</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)979621011</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">B802</subfield><subfield code="b">.M79 2015</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHI001000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">190.9/033</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 5166</subfield><subfield code="q">BVB</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/20598:12021</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">von Mücke, Dorothea, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Practices of the Enlightenment :</subfield><subfield code="b">Aesthetics, Authorship, and the Public /</subfield><subfield code="c">Dorothea von Mücke.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">Columbia University Press, </subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (320 p.) :</subfield><subfield code="b">‹B›13 illustrations‹/B›</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Columbia Themes in Philosophy, Social Criticism, and the Arts</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">ACKNOWLEDGMENTS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">PART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS -- </subfield><subfield code="t">2. DISINTERESTED INTEREST -- </subfield><subfield code="t">3. BEAUTIFUL, NOT INTELLIGENT DESIGN -- </subfield><subfield code="t">4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS -- </subfield><subfield code="t">5. "WHERE NATURE GIVES THE RULE TO ART" -- </subfield><subfield code="t">6. THE STRASBOURG CATHEDRAL -- </subfield><subfield code="t">CONCLUSION -- </subfield><subfield code="t">PART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">7. PIETISM -- </subfield><subfield code="t">8. ROUSSEAU -- </subfield><subfield code="t">9. GOETHE -- </subfield><subfield code="t">PART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">10. PATRIOTIC INVOCATIONS OF THE PUBLIC -- </subfield><subfield code="t">11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC -- </subfield><subfield code="t">12. MOBILIZING A CRITICAL PUBLIC -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment.By engaging with three critical categories-aesthetics, authorship, and the public sphere-The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Authorship.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Enlightenment.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY / Aesthetics.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Columbia University Press Complete eBook-Package 2014-2015</subfield><subfield code="z">9783110665864</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780231172462</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/vonm17246</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780231539333</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780231539333/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-066586-4 Columbia University Press Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_PLTLJSIS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_PLTLJSIS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |