The Politics and Poetics of Cinematic Realism / / Hermann Kappelhoff.
Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisen...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
|---|---|
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | Columbia Themes in Philosophy, Social Criticism, and the Arts
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| Online Access: | |
| Physical Description: | 1 online resource (280 p.) :; ‹B›40 b&w photographs‹/B› |
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| 100 | 1 | |a Kappelhoff, Hermann, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Politics and Poetics of Cinematic Realism / |c Hermann Kappelhoff. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (280 p.) : |b ‹B›40 b&w photographs‹/B› | ||
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| 490 | 0 | |a Columbia Themes in Philosophy, Social Criticism, and the Arts | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t PREFACE AND ACKNOWLEDGMENTS -- |t 1 POETICS AND POLITICS -- |t 2 BEFORE THE WAR -- |t 3 AFTER THE WAR -- |t 4 AFTER '68 -- |t 5 BEYOND CLASSICAL HOLLYWOOD CINEMA -- |t 6 A NEW SENSITIVITY -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX -- |t Backmatter |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 0 | |a Politics in motion pictures. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 700 | 1 | |a Hendrickson, Daniel. | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
| 776 | 0 | |c print |z 9780231170727 | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/kapp17072 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231539319 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231539319/original |
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