The Subject of Torture : : Psychoanalysis and Biopolitics in Television and Film / / Hilary Neroni.
Considering representations of torture in such television series as 24, Alias, and Homeland; the documentaries Taxi to the Dark Side (2007), Ghosts of Abu Ghraib (2007), and Standard Operating Procedure (2008); and "torture porn" feature films from the Saw and Hostel series, Hilary Neroni...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (200 p.) |
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082 | 0 | 4 | |a 791.43 |a 791.436352 |
100 | 1 | |a Neroni, Hilary, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Subject of Torture : |b Psychoanalysis and Biopolitics in Television and Film / |c Hilary Neroni. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (200 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: Confronting the Abu Ghraib Photographs -- |t 1. Torture, Biopower, and the Desiring Subject -- |t 2. The Nonsensical Smile of the Torturer in Post-9/11 Documentary Films -- |t 3. Torture Porn and the Desiring Subject in Hostel and Saw -- |t 4. 24, Jack Bauer, and the Torture Fantasy -- |t 5. The Biodetective Versus the Detective of the Real in Zero Dark Thirty and Homeland -- |t 6. Alias and the Fictional Alternative to Torture -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Considering representations of torture in such television series as 24, Alias, and Homeland; the documentaries Taxi to the Dark Side (2007), Ghosts of Abu Ghraib (2007), and Standard Operating Procedure (2008); and "torture porn" feature films from the Saw and Hostel series, Hilary Neroni unites aesthetic and theoretical analysis to provide a unique portal into theorizing biopower and its relation to the desiring subject. Her work ultimately showcases film and television studies' singular ability to expose and potentially disable the fantasies that sustain torture and the regimes that deploy it. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Mass media |x Moral and ethical aspects. | |
650 | 0 | |a Motion pictures |x Moral and ethical aspects. | |
650 | 0 | |a Psychoanalysis and motion pictures. | |
650 | 0 | |a Psychoanalysis and television. | |
650 | 0 | |a Television |x Moral and ethical aspects. | |
650 | 0 | |a Torture in mass media. | |
650 | 0 | |a Torture in motion pictures. | |
650 | 0 | |a Torture on television. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
776 | 0 | |c print |z 9780231170703 | |
856 | 4 | 0 | |u https://doi.org/10.7312/nero17070 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231539142 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231539142/original |
912 | |a 978-3-11-066586-4 Columbia University Press Complete eBook-Package 2014-2015 |c 2014 |d 2015 | ||
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