Maya Deren : : Incomplete Control / / Sarah Keller.
Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-li...
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | Film and Culture Series
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Keller, Sarah, author. aut http://id.loc.gov/vocabulary/relators/aut Maya Deren : Incomplete Control / Sarah Keller. New York, NY : Columbia University Press, [2014] ©2014 1 online resource (296 p.) : ‹B›B&W Illus.: ‹/B›26. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction. Unfinished Business -- ONE. Done and Undone -- TWO. Toward Completion and Control -- THREE. Haiti -- FOUR. Full Circle -- Conclusion In Completing a Th ought, A Last Word (for now . . . ) -- Notes -- Index -- Backmatter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Experimental films United States History and criticism. Independent filmmakers United States. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 9783110665864 print 9780231162210 https://doi.org/10.7312/kell16220 https://www.degruyter.com/isbn/9780231538473 Cover https://www.degruyter.com/document/cover/isbn/9780231538473/original |
language |
English |
format |
eBook |
author |
Keller, Sarah, Keller, Sarah, |
spellingShingle |
Keller, Sarah, Keller, Sarah, Maya Deren : Incomplete Control / Film and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction. Unfinished Business -- ONE. Done and Undone -- TWO. Toward Completion and Control -- THREE. Haiti -- FOUR. Full Circle -- Conclusion In Completing a Th ought, A Last Word (for now . . . ) -- Notes -- Index -- Backmatter |
author_facet |
Keller, Sarah, Keller, Sarah, |
author_variant |
s k sk s k sk |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Keller, Sarah, |
title |
Maya Deren : Incomplete Control / |
title_sub |
Incomplete Control / |
title_full |
Maya Deren : Incomplete Control / Sarah Keller. |
title_fullStr |
Maya Deren : Incomplete Control / Sarah Keller. |
title_full_unstemmed |
Maya Deren : Incomplete Control / Sarah Keller. |
title_auth |
Maya Deren : Incomplete Control / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Unfinished Business -- ONE. Done and Undone -- TWO. Toward Completion and Control -- THREE. Haiti -- FOUR. Full Circle -- Conclusion In Completing a Th ought, A Last Word (for now . . . ) -- Notes -- Index -- Backmatter |
title_new |
Maya Deren : |
title_sort |
maya deren : incomplete control / |
series |
Film and Culture Series |
series2 |
Film and Culture Series |
publisher |
Columbia University Press, |
publishDate |
2014 |
physical |
1 online resource (296 p.) : ‹B›B&W Illus.: ‹/B›26. Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Unfinished Business -- ONE. Done and Undone -- TWO. Toward Completion and Control -- THREE. Haiti -- FOUR. Full Circle -- Conclusion In Completing a Th ought, A Last Word (for now . . . ) -- Notes -- Index -- Backmatter |
isbn |
9780231538473 9783110665864 9780231162210 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 D47 K45 42015 |
geographic_facet |
United States United States. |
url |
https://doi.org/10.7312/kell16220 https://www.degruyter.com/isbn/9780231538473 https://www.degruyter.com/document/cover/isbn/9780231538473/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/33092 |
dewey-sort |
3791.4302 533092 |
dewey-raw |
791.4302/33092 |
dewey-search |
791.4302/33092 |
doi_str_mv |
10.7312/kell16220 |
oclc_num |
979751967 |
work_keys_str_mv |
AT kellersarah mayaderenincompletecontrol |
status_str |
n |
ids_txt_mv |
(DE-B1597)458386 (OCoLC)979751967 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Maya Deren : Incomplete Control / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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1770176062528946176 |
fullrecord |
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