Lady in the Dark : : Iris Barry and the Art of Film / / Robert Sitton.

Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isl...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015
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Place / Publishing House:New York, NY : : Columbia University Press, , [2014]
©2014
Year of Publication:2014
Language:English
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Physical Description:1 online resource (496 p.) :; ‹B›B&W Photos: ‹/B›40.
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • List of Illustrations
  • To IRIS BARRY (1895-1969)
  • Credits
  • Previews
  • 1. EARLY YEARS
  • 2. "WE ENJOYED THE WAR"
  • 3. "DEAR MISS BARRY"
  • 4. THE OTHER BLOOMSBURY
  • 5. LIFE WITH LEWIS
  • 6. CHILDREN
  • 7. ALAN PORTER
  • 8. The Spectator
  • 9. SPLASHING INTO FILM SOCIETY
  • 10. CINEMA PARAGONS, HOLLYWOOD, And LADY MARY
  • 11 .Let'S Go to the Pictures
  • 12. Victory and Defeat
  • 13. America
  • 14. The Askew Salon
  • 15. Museum Men
  • 16. Remarriage
  • 17. Settling In
  • 18. Cracking Hollywood
  • 19. Art High and Low
  • 20. On to Europe
  • 21. Going Public
  • 22. The Slow Martyrdom of Alfred Barr
  • 23. Meanwhile, Back at the Library
  • 24. New Work, Old Acquaintances
  • 25. "The Master" and His Minions
  • 26. Temora Farm
  • 27. The Museum Enlists
  • 28. Mr. Rockefeller'S Office
  • 29. L'Affair Buñuel
  • 30. The Other Library
  • 31. Divorce
  • 32. Postwar Blues
  • 33. Abbott'S Fall
  • 34. Hospital
  • 35. Departure
  • 36. La Bonne Font
  • 37. Things Past
  • 38. The Austin House
  • 39. Readjustments
  • 40. New York And London
  • 41. Final Breaks
  • 42. The End
  • Sequel
  • Notes
  • Sources
  • Index