Cinematic Appeals : : The Experience of New Movie Technologies / / Ariel Rogers.
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw th...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Film and Culture Series
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Physical Description: | 1 online resource (352 p.) :; ‹B›Figures: ‹/B›68. |
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Rogers, Ariel, author. aut http://id.loc.gov/vocabulary/relators/aut Cinematic Appeals : The Experience of New Movie Technologies / Ariel Rogers. New York, NY : Columbia University Press, [2013] ©2013 1 online resource (352 p.) : ‹B›Figures: ‹/B›68. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in CinemaScope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Backmatter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Cinematography Technological innovations. Digital cinematography. Motion picture audiences. Technology in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 9783110442472 print 9780231159173 https://doi.org/10.7312/roge15916 https://www.degruyter.com/isbn/9780231535786 Cover https://www.degruyter.com/document/cover/isbn/9780231535786/original |
language |
English |
format |
eBook |
author |
Rogers, Ariel, Rogers, Ariel, |
spellingShingle |
Rogers, Ariel, Rogers, Ariel, Cinematic Appeals : The Experience of New Movie Technologies / Film and Culture Series Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in CinemaScope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Backmatter |
author_facet |
Rogers, Ariel, Rogers, Ariel, |
author_variant |
a r ar a r ar |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Rogers, Ariel, |
title |
Cinematic Appeals : The Experience of New Movie Technologies / |
title_sub |
The Experience of New Movie Technologies / |
title_full |
Cinematic Appeals : The Experience of New Movie Technologies / Ariel Rogers. |
title_fullStr |
Cinematic Appeals : The Experience of New Movie Technologies / Ariel Rogers. |
title_full_unstemmed |
Cinematic Appeals : The Experience of New Movie Technologies / Ariel Rogers. |
title_auth |
Cinematic Appeals : The Experience of New Movie Technologies / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in CinemaScope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Backmatter |
title_new |
Cinematic Appeals : |
title_sort |
cinematic appeals : the experience of new movie technologies / |
series |
Film and Culture Series |
series2 |
Film and Culture Series |
publisher |
Columbia University Press, |
publishDate |
2013 |
physical |
1 online resource (352 p.) : ‹B›Figures: ‹/B›68. Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in CinemaScope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Backmatter |
isbn |
9780231535786 9783110442472 9780231159173 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 A8 R64 42013 |
url |
https://doi.org/10.7312/roge15916 https://www.degruyter.com/isbn/9780231535786 https://www.degruyter.com/document/cover/isbn/9780231535786/original |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
300 - Social sciences, sociology & anthropology |
dewey-ones |
302 - Social interaction |
dewey-full |
302.2 |
dewey-sort |
3302.2 |
dewey-raw |
302.2 |
dewey-search |
302.2 |
doi_str_mv |
10.7312/roge15916 |
oclc_num |
862327426 |
work_keys_str_mv |
AT rogersariel cinematicappealstheexperienceofnewmovietechnologies |
status_str |
n |
ids_txt_mv |
(DE-B1597)459275 (OCoLC)862327426 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Cinematic Appeals : The Experience of New Movie Technologies / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
_version_ |
1770176042618585088 |
fullrecord |
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