Screening Torture : : Media Representations of State Terror and Political Domination / / Michael Flynn, Fabiola Fernandez Salek.
Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the ter...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2012] ©2012 |
Year of Publication: | 2012 |
Language: | English |
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Physical Description: | 1 online resource (328 p.) :; ‹B›Color Photos: ‹/B›17. |
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Table of Contents:
- Frontmatter
- Contents
- Screening Torture
- Part I: Torture and the Implications of Masculinity
- 1. Countering the Jack Bauer Effect
- 2. Mel Gibson's Tortured Heroes
- 3. It's a Perfect World
- Part II: Torture and the Sadomasochistic Impulse
- 4. Lust, Caution
- 5. The Art of Photogenic Torture
- 6. Beyond Susan Sontag
- 7. Stanley Kubrick's A Clockwork Orange as Art Against Torture
- Part III: Confronting the Legacies of Torture and State Terror
- 8. "Accorded a Place in the Design"
- 9. Confessing Without Regret
- PART IV: Torture and the Shortcomings of Film
- 10. Movies of Modern Torture as Convenient Truths
- 11. Torture at the Limit of Politics
- 12. Doing Torture in Film
- 13. Documenting the Documentaries on Abu Ghraib
- Contributors
- Index