Screening Torture : : Media Representations of State Terror and Political Domination / / Michael Flynn, Fabiola Fernandez Salek.

Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the ter...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013
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Place / Publishing House:New York, NY : : Columbia University Press, , [2012]
©2012
Year of Publication:2012
Language:English
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Physical Description:1 online resource (328 p.) :; ‹B›Color Photos: ‹/B›17.
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Table of Contents:
  • Frontmatter
  • Contents
  • Screening Torture
  • Part I: Torture and the Implications of Masculinity
  • 1. Countering the Jack Bauer Effect
  • 2. Mel Gibson's Tortured Heroes
  • 3. It's a Perfect World
  • Part II: Torture and the Sadomasochistic Impulse
  • 4. Lust, Caution
  • 5. The Art of Photogenic Torture
  • 6. Beyond Susan Sontag
  • 7. Stanley Kubrick's A Clockwork Orange as Art Against Torture
  • Part III: Confronting the Legacies of Torture and State Terror
  • 8. "Accorded a Place in the Design"
  • 9. Confessing Without Regret
  • PART IV: Torture and the Shortcomings of Film
  • 10. Movies of Modern Torture as Convenient Truths
  • 11. Torture at the Limit of Politics
  • 12. Doing Torture in Film
  • 13. Documenting the Documentaries on Abu Ghraib
  • Contributors
  • Index