The Islamic Context of The Thousand and One Nights / / Muhsin al-Musawi.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013
• VerfasserIn: al-Musawi, Muhsin,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2009]; ©2009
• Year of Publication: 2009
• Language: English
• Physical Description: 1 online resource (352 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Is There an Islamic Context for The Thousand and One Nights --; 1. The Islamic Factor in Global Times --; 2. The Unifying Islamic Factor --; 3. The Age of Muslim Empire and the Burgeoning of a Text --; 4. The Changing Order --; 5. Nonreligious Displacements in Popular Tradition --; 6. The Public Role in Islamic Narrative Theorizations --; 7. Scheherazade's Nonverbal Narratives in Religious Contexts --; Conclusions --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231519465; 9783110442472
• DOI: 10.7312/al-m14634
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Muhsin al-Musawi.

In this fascinating study, Muhsin J. al-Musawi shows how deeply Islamic heritage and culture is embedded in the tales of The Thousand and One Nights (known to many as the Arabian Nights) and how this integration invites readers to make an Islamic milieu. Conservative Islam dismisses The Thousand and One Nights as facile popular literature, and liberal views disregard the rich Islamic context of the text. Approaching the text with a fresh and unbiased eye, al-Musawi reads the tales against Islamic schools of thought and theology and recovers persuasive historical evidence to reveal the cultural and religious struggle over Islam that drives the book's narrative tension and binds its seemingly fragmented stories.Written by a number of authors over a stretch of centuries, The Thousand and One Nights depicts a burgeoning, urban Islamic culture in all its variety and complexity. As al-Musawi demonstrates, the tales document their own places and periods of production, reflecting the Islamic individual's growing exposure to a number of entertainments and temptations and their conflict with the obligations of faith. Aimed at a diverse audience, these stories follow a narrative arc that begins with corruption and ends with redemption, conforming to a paradigm that concurs with the sociological and religious concerns of Islam and the Islamic state. By emphasizing Islam in his analysis of these entertaining and instructional tales, al-Musawi not only illuminates the work's consistent equation between art and life, but he also sheds light on its underlying narrative power. His study offers a brilliant portrait of medieval Islam as well, especially its social, political, and economic institutions and its unique practices of storytelling.