Art's Claim to Truth / / Gianni Vattimo; ed. by Santiago Zabala.
First collected in Italy in 1985, Art's Claim to Truth is considered by many philosophers to be one of Gianni Vattimo's most important works. Newly revised for English readers, the book begins with a challenge to Plato, Aristotle, Kant, and Hegel, who viewed art as a metaphysical aspect of...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2008] ©2008 |
| Year of Publication: | 2008 |
| Language: | English |
| Series: | Columbia Themes in Philosophy, Social Criticism, and the Arts
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| Online Access: | |
| Physical Description: | 1 online resource (216 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: The Hermeneutic Consequence of Art's Ontological Bearing Santiago Zabala
- Part 1. aesthetics
- 1. Beauty and Being in Ancient Aesthetics
- 2. Toward an Ontological Aesthetics
- 3. The Ontological Vocation of Twentieth- Century Poetics
- 4. Art, Feeling, and Originality in Heidegger's Aesthetics
- Part II. Hermeneutics
- 5. Pareyson: From Aesthetics to Ontology
- 6. From Phenomenological Aesthetics to Ontology of Art
- 7. Critical Methods and Hermeneutic Philosophy
- Part III. Truth
- 8. Aesthetics and Hermeneutics
- 9. Aesthetics and Hermeneutics in Hans- Georg Gadamer
- 10. The Work of Art as the Setting to Work of Truth
- 11. The Truth That Hurt
- Notes
- Index