Music, Madness, and the Unworking of Language / / John Hamilton.
In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton i...
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2008] ©2008 |
Year of Publication: | 2008 |
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Hamilton, John, author. aut http://id.loc.gov/vocabulary/relators/aut Music, Madness, and the Unworking of Language / John Hamilton. New York, NY : Columbia University Press, [2008] ©2008 1 online resource (272 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Columbia Themes in Philosophy, Social Criticism, and the Arts Frontmatter -- Contents -- A Note on Translations and Abbreviations -- Hors d'œuvre I -- Introduction: The Subject of Music and Madness -- 1. Hearing Voices -- 2. Unequal Song -- 3. Resounding Sense -- 4. The Most Violent of the Arts -- 5. With Arts Unknown Before: Kleist and the Power of Music -- 6. Before and After Language: Hoff mann -- Hors d'œuvre II -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's Neveu de Rameau, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Music - Psychological aspects - History. Music and language. Music Philosophy and aesthetics History. Music Psychological aspects History. MUSIC / General. bisacsh Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 9783110442472 print 9780231142212 https://doi.org/10.7312/hami14220 https://www.degruyter.com/isbn/9780231512541 Cover https://www.degruyter.com/document/cover/isbn/9780231512541/original |
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English |
format |
eBook |
author |
Hamilton, John, Hamilton, John, |
spellingShingle |
Hamilton, John, Hamilton, John, Music, Madness, and the Unworking of Language / Columbia Themes in Philosophy, Social Criticism, and the Arts Frontmatter -- Contents -- A Note on Translations and Abbreviations -- Hors d'œuvre I -- Introduction: The Subject of Music and Madness -- 1. Hearing Voices -- 2. Unequal Song -- 3. Resounding Sense -- 4. The Most Violent of the Arts -- 5. With Arts Unknown Before: Kleist and the Power of Music -- 6. Before and After Language: Hoff mann -- Hors d'œuvre II -- Notes -- Bibliography -- Index |
author_facet |
Hamilton, John, Hamilton, John, |
author_variant |
j h jh j h jh |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Hamilton, John, |
title |
Music, Madness, and the Unworking of Language / |
title_full |
Music, Madness, and the Unworking of Language / John Hamilton. |
title_fullStr |
Music, Madness, and the Unworking of Language / John Hamilton. |
title_full_unstemmed |
Music, Madness, and the Unworking of Language / John Hamilton. |
title_auth |
Music, Madness, and the Unworking of Language / |
title_alt |
Frontmatter -- Contents -- A Note on Translations and Abbreviations -- Hors d'œuvre I -- Introduction: The Subject of Music and Madness -- 1. Hearing Voices -- 2. Unequal Song -- 3. Resounding Sense -- 4. The Most Violent of the Arts -- 5. With Arts Unknown Before: Kleist and the Power of Music -- 6. Before and After Language: Hoff mann -- Hors d'œuvre II -- Notes -- Bibliography -- Index |
title_new |
Music, Madness, and the Unworking of Language / |
title_sort |
music, madness, and the unworking of language / |
series |
Columbia Themes in Philosophy, Social Criticism, and the Arts |
series2 |
Columbia Themes in Philosophy, Social Criticism, and the Arts |
publisher |
Columbia University Press, |
publishDate |
2008 |
physical |
1 online resource (272 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- A Note on Translations and Abbreviations -- Hors d'œuvre I -- Introduction: The Subject of Music and Madness -- 1. Hearing Voices -- 2. Unequal Song -- 3. Resounding Sense -- 4. The Most Violent of the Arts -- 5. With Arts Unknown Before: Kleist and the Power of Music -- 6. Before and After Language: Hoff mann -- Hors d'œuvre II -- Notes -- Bibliography -- Index |
isbn |
9780231512541 9783110442472 9780231142212 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3800 |
callnumber-sort |
ML 43800 H246 42008 |
url |
https://doi.org/10.7312/hami14220 https://www.degruyter.com/isbn/9780231512541 https://www.degruyter.com/document/cover/isbn/9780231512541/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780.03622 |
dewey-sort |
3780.03622 |
dewey-raw |
780.03622 |
dewey-search |
780.03622 |
doi_str_mv |
10.7312/hami14220 |
oclc_num |
715160039 |
work_keys_str_mv |
AT hamiltonjohn musicmadnessandtheunworkingoflanguage |
status_str |
n |
ids_txt_mv |
(DE-B1597)458921 (OCoLC)715160039 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Music, Madness, and the Unworking of Language / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143035739734016 |
fullrecord |
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