When Heroes Love : : The Ambiguity of Eros in the Stories of Gilgamesh and David / / Susan Ackerman.

Toward the end of the Mesopotamian Epic of Gilgamesh King Gilgamesh laments the untimely death of his comrade Enkidu, "my friend whom I loved dearly." Similarly in the Bible, David mourns his companion, Jonathan, whose "love to me was wonderful, greater than the love of women." T...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013
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Place / Publishing House:New York, NY : : Columbia University Press, , [2005]
©2005
Year of Publication:2005
Language:English
Series:Gender, Theory, and Religion
Online Access:
Physical Description:1 online resource (336 p.)
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Other title:Frontmatter --
Contents --
Abbreviations --
Prologue --
1. Of Greeting Cards and Methods: Understanding Ancient Near Eastern Sex --
The Mesopotamian Epic of Gilgamesh --
2. Introducing Gilgamesh --
3. Gilgamesh and Enkidu --
4. The Liminal Hero, Part 1 --
5. The Liminal Hero, Part 2 --
The Biblical Story of David and Jonathan --
6. Introducing David --
7. David and Jonathan --
8. Liminality and Beyond --
Epilogue --
Notes --
Bibliography --
Index --
Citation Index
Summary:Toward the end of the Mesopotamian Epic of Gilgamesh King Gilgamesh laments the untimely death of his comrade Enkidu, "my friend whom I loved dearly." Similarly in the Bible, David mourns his companion, Jonathan, whose "love to me was wonderful, greater than the love of women." These passages, along with other ambiguous erotic and sexual language found in the Gilgamesh epic and the biblical David story, have become the object of numerous and competing scholarly inquiries into the sexual nature of the heroes' relationships. Susan Ackerman's innovative work carefully examines the stories' sexual and homoerotic language and suggests that its ambiguity provides new ways of understanding ideas of gender and sexuality in the ancient Near East and its literature. In exploring the stories of Gilgamesh and Enkidu and David and Jonathan, Ackerman cautions against applying modern conceptions of homosexuality to these relationships. Drawing on historical and literary criticism, Ackerman's close readings analyze the stories of David and Gilgamesh in light of contemporary definitions of sexual relationships and gender roles. She argues that these male relationships cannot be taken as same-sex partnerships in the modern sense, but reflect the ancient understanding of gender roles, whether in same- or opposite-sex relationships, as defined as either active (male) or passive (female). Her interpretation also considers the heroes' erotic and sexual interactions with members of the opposite sex.Ackerman shows that the texts' language and erotic imagery suggest more than just an intense male bonding. She argues that, though ambiguous, the erotic imagery and language have a critical function in the texts and serve the political, religious, and aesthetic aims of the narrators. More precisely, the erotic language in the story of David seeks to feminize Jonathan and thus invalidate his claim to Israel's throne in favor of David. In the case of Gilgamesh and Enkidu, whose egalitarian relationship is paradoxically described using the hierarchically dependent language of sexual relationships, the ambiguous erotic language reinforces their status as liminal figures and heroes in the epic tradition.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231507257
9783110442472
DOI:10.7312/acke13260
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Susan Ackerman.