Special Effects : : Still in Search of Wonder / / Michele Pierson.
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matr...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2002] ©2002 |
| Year of Publication: | 2002 |
| Language: | English |
| Series: | Film and Culture Series
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| Online Access: | |
| Physical Description: | 1 online resource (256 p.) :; 9 photos |
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| 100 | 1 | |a Pierson, Michele, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Special Effects : |b Still in Search of Wonder / |c Michele Pierson. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2002] | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (256 p.) : |b 9 photos | ||
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| 490 | 0 | |a Film and Culture Series | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Acknowledgments -- |t Introduction: Special Effects and the Popular Media -- |t 1. Magic, Science, Art -- |t 2. From Cult-Classicism to Technofuturism -- |t 3. The Wonder Years and Beyond -- |t 4. Crafting a Future for CGI -- |t Conclusion: The Transnational Matrix of SF -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Cinematography -- Special effects. | |
| 650 | 0 | |a Science fiction films -- History and criticism. | |
| 650 | 0 | |a Science fiction. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press eBook-Package Backlist 2000-2013 |z 9783110442472 |
| 776 | 0 | |c print |z 9780231125628 | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/pier12562 |
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