Literature and Film in Cold War South Korea : : Freedom's Frontier / / Theodore Hughes.
Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : Columbia University Press, , [2012] ©2012 |
Year of Publication: | 2012 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (304 p.) :; 19 illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- ACKNOWLEDGMENTS
- Introduction
- 1. Visuality and the Colonial Modern: The Technics of Proletarian Culture, Nativism, Modernism, and Mobilization
- 2. Visible and Invisible States: Liberation, Occupation, Division
- 3. Ambivalent Anticommunism: The Politics of Despair and the Erotics of Language
- 4. Development as Devolution: Overcoming Communism and the "Land of Excrement" Incident
- 5. Return to the Colonial Present: Translation, Collaboration, Pan-Asianism
- Postscript
- Notes
- Selected Bibliography
- Index