Killer images : : documentary film, memory and the performance of violence / / edited by Joram Ten Brink & Joshua Oppenheimer.
Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations...
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Place / Publishing House: | London : : Wallflower Press,, [2012] 2012 |
Year of Publication: | 2012 |
Language: | English |
Series: | Nonfictions
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Physical Description: | 1 online resource (343 pages) :; illustrations. |
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Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer. London : Wallflower Press, [2012] 2012 1 online resource (343 pages) : illustrations. text rdacontent computer rdamedia online resource rdacarrier Nonfictions Includes bibliographical references and index. Acknowledgments -- Notes on contributors -- Introduction / Joram ten Brink & Joshua Oppenheimer -- (De)activating empathy -- Publicity and indifference : media, surveillance and 'humanitarian intervention' / Thomas Keenan -- Shooting with intent : framing conflict / Alisa Lebow -- Immersion (2009) / Harun Farocki -- Anaesthetising the image : Immersion, Harun Farcocki [sic] / Kodwo Eshun -- Revisiting Rocha's 'Aesthetics of Violence' / Michael Chanan -- Memory of violence : visualising trauma -- Ca va de soi : the visual representation of violence in the Holocaust documentary / Brian Winston -- Screen memory in Waltz with Bashir / Garrett Stewart -- Animating trauma : Waltz with Bashir, David Polonsky / Joram ten Brink -- Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / Adam Lowenstein -- On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / Daniel Morgan -- Battle for history : appropriating the past in the present -- Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / Joram ten Brink -- Re-enactment, the history of violence and documentary film / Joran ten Brink -- Interpreting Jeremy Deller's The Battle of Orgreave / Alice Correia -- Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots / Stephanie Benzaquen -- Screening the 1965 violence / Ariel Heryanto -- Performing violence -- Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh / Joshua Oppenheimer -- The killer's search for absolution : Z32, Avi Mograbi / Joram ten Brink -- Impunity / Benedict Anderson -- Show of force : a cinema-seance of power and violence in Sumatra's plantation belt / Joshua Oppenheimer & Michael Uwemedimo -- Misunderstanding images : standard operating procedure, Errol Morris / Joshua Oppenheimer. Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Description based on print version record. Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Documentary films History and criticism. Violence in motion pictures. Violence in mass media. Electronic books. Ten Brink, Joram. Oppenheimer, Joshua, 1974- Print version: Killer images : documentary film, memory and the performance of violence. London : Wallflower Press, [2012] xi, 330 pages ; 23 cm. Nonfictions 9780231163354 (OCoLC)ocn794366433 (DLC)17809739 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=946273 Click to View |
language |
English |
format |
eBook |
author2 |
Ten Brink, Joram. Oppenheimer, Joshua, 1974- |
author_facet |
Ten Brink, Joram. Oppenheimer, Joshua, 1974- |
author2_variant |
b j t bj bjt j o jo |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Ten Brink, Joram. |
author_additional |
Joram ten Brink & Joshua Oppenheimer -- Thomas Keenan -- Alisa Lebow -- Harun Farocki -- Kodwo Eshun -- Michael Chanan -- Brian Winston -- Garrett Stewart -- Joram ten Brink -- Adam Lowenstein -- Daniel Morgan -- Joran ten Brink -- Alice Correia -- Stephanie Benzaquen -- Ariel Heryanto -- Joshua Oppenheimer -- Benedict Anderson -- Joshua Oppenheimer & Michael Uwemedimo -- Joshua Oppenheimer. |
title |
Killer images : documentary film, memory and the performance of violence / |
spellingShingle |
Killer images : documentary film, memory and the performance of violence / Acknowledgments -- Notes on contributors -- Introduction / (De)activating empathy -- Publicity and indifference : media, surveillance and 'humanitarian intervention' / Shooting with intent : framing conflict / Immersion (2009) / Anaesthetising the image : Immersion, Harun Farcocki [sic] / Revisiting Rocha's 'Aesthetics of Violence' / Memory of violence : visualising trauma -- Ca va de soi : the visual representation of violence in the Holocaust documentary / Screen memory in Waltz with Bashir / Animating trauma : Waltz with Bashir, David Polonsky / Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / Battle for history : appropriating the past in the present -- Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / Re-enactment, the history of violence and documentary film / Interpreting Jeremy Deller's The Battle of Orgreave / Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots / Screening the 1965 violence / Performing violence -- Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh / The killer's search for absolution : Z32, Avi Mograbi / Impunity / Show of force : a cinema-seance of power and violence in Sumatra's plantation belt / Misunderstanding images : standard operating procedure, Errol Morris / |
title_sub |
documentary film, memory and the performance of violence / |
title_full |
Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer. |
title_fullStr |
Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer. |
title_full_unstemmed |
Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer. |
title_auth |
Killer images : documentary film, memory and the performance of violence / |
title_alt |
Acknowledgments -- Notes on contributors -- Introduction / (De)activating empathy -- Publicity and indifference : media, surveillance and 'humanitarian intervention' / Shooting with intent : framing conflict / Immersion (2009) / Anaesthetising the image : Immersion, Harun Farcocki [sic] / Revisiting Rocha's 'Aesthetics of Violence' / Memory of violence : visualising trauma -- Ca va de soi : the visual representation of violence in the Holocaust documentary / Screen memory in Waltz with Bashir / Animating trauma : Waltz with Bashir, David Polonsky / Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / Battle for history : appropriating the past in the present -- Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / Re-enactment, the history of violence and documentary film / Interpreting Jeremy Deller's The Battle of Orgreave / Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots / Screening the 1965 violence / Performing violence -- Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh / The killer's search for absolution : Z32, Avi Mograbi / Impunity / Show of force : a cinema-seance of power and violence in Sumatra's plantation belt / Misunderstanding images : standard operating procedure, Errol Morris / |
title_new |
Killer images : |
title_sort |
killer images : documentary film, memory and the performance of violence / |
publisher |
Wallflower Press, |
publishDate |
2012 |
physical |
1 online resource (343 pages) : illustrations. |
contents |
Acknowledgments -- Notes on contributors -- Introduction / (De)activating empathy -- Publicity and indifference : media, surveillance and 'humanitarian intervention' / Shooting with intent : framing conflict / Immersion (2009) / Anaesthetising the image : Immersion, Harun Farcocki [sic] / Revisiting Rocha's 'Aesthetics of Violence' / Memory of violence : visualising trauma -- Ca va de soi : the visual representation of violence in the Holocaust documentary / Screen memory in Waltz with Bashir / Animating trauma : Waltz with Bashir, David Polonsky / Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / Battle for history : appropriating the past in the present -- Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / Re-enactment, the history of violence and documentary film / Interpreting Jeremy Deller's The Battle of Orgreave / Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots / Screening the 1965 violence / Performing violence -- Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh / The killer's search for absolution : Z32, Avi Mograbi / Impunity / Show of force : a cinema-seance of power and violence in Sumatra's plantation belt / Misunderstanding images : standard operating procedure, Errol Morris / |
isbn |
9780231850247 9780231163354 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 D6 K474 42012 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=946273 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/6581 |
dewey-sort |
3791.43 46581 |
dewey-raw |
791.43/6581 |
dewey-search |
791.43/6581 |
oclc_num |
862937918 |
work_keys_str_mv |
AT tenbrinkjoram killerimagesdocumentaryfilmmemoryandtheperformanceofviolence AT oppenheimerjoshua killerimagesdocumentaryfilmmemoryandtheperformanceofviolence |
status_str |
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ids_txt_mv |
(MiAaPQ)500946273 (Au-PeEL)EBL946273 (CaPaEBR)ebr10820247 (CaONFJC)MIL562748 (OCoLC)862937918 |
is_hierarchy_title |
Killer images : documentary film, memory and the performance of violence / |
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fullrecord |
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