Killer images : : documentary film, memory and the performance of violence / / edited by Joram Ten Brink & Joshua Oppenheimer.

Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations...

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Place / Publishing House:London : : Wallflower Press,, [2012]
2012
Year of Publication:2012
Language:English
Series:Nonfictions
Online Access:
Physical Description:1 online resource (343 pages) :; illustrations.
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ctrlnum (MiAaPQ)500946273
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(CaPaEBR)ebr10820247
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(OCoLC)862937918
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spelling Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer.
London : Wallflower Press, [2012]
2012
1 online resource (343 pages) : illustrations.
text rdacontent
computer rdamedia
online resource rdacarrier
Nonfictions
Includes bibliographical references and index.
Acknowledgments -- Notes on contributors -- Introduction / Joram ten Brink & Joshua Oppenheimer -- (De)activating empathy -- Publicity and indifference : media, surveillance and 'humanitarian intervention' / Thomas Keenan -- Shooting with intent : framing conflict / Alisa Lebow -- Immersion (2009) / Harun Farocki -- Anaesthetising the image : Immersion, Harun Farcocki [sic] / Kodwo Eshun -- Revisiting Rocha's 'Aesthetics of Violence' / Michael Chanan -- Memory of violence : visualising trauma -- Ca va de soi : the visual representation of violence in the Holocaust documentary / Brian Winston -- Screen memory in Waltz with Bashir / Garrett Stewart -- Animating trauma : Waltz with Bashir, David Polonsky / Joram ten Brink -- Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa / Adam Lowenstein -- On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero / Daniel Morgan -- Battle for history : appropriating the past in the present -- Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi / Joram ten Brink -- Re-enactment, the history of violence and documentary film / Joran ten Brink -- Interpreting Jeremy Deller's The Battle of Orgreave / Alice Correia -- Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots / Stephanie Benzaquen -- Screening the 1965 violence / Ariel Heryanto -- Performing violence -- Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh / Joshua Oppenheimer -- The killer's search for absolution : Z32, Avi Mograbi / Joram ten Brink -- Impunity / Benedict Anderson -- Show of force : a cinema-seance of power and violence in Sumatra's plantation belt / Joshua Oppenheimer & Michael Uwemedimo -- Misunderstanding images : standard operating procedure, Errol Morris / Joshua Oppenheimer.
Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan.
Description based on print version record.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Documentary films History and criticism.
Violence in motion pictures.
Violence in mass media.
Electronic books.
Ten Brink, Joram.
Oppenheimer, Joshua, 1974-
Print version: Killer images : documentary film, memory and the performance of violence. London : Wallflower Press, [2012] xi, 330 pages ; 23 cm. Nonfictions 9780231163354 (OCoLC)ocn794366433 (DLC)17809739
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=946273 Click to View
language English
format eBook
author2 Ten Brink, Joram.
Oppenheimer, Joshua, 1974-
author_facet Ten Brink, Joram.
Oppenheimer, Joshua, 1974-
author2_variant b j t bj bjt
j o jo
author2_role TeilnehmendeR
TeilnehmendeR
author_sort Ten Brink, Joram.
author_additional Joram ten Brink & Joshua Oppenheimer --
Thomas Keenan --
Alisa Lebow --
Harun Farocki --
Kodwo Eshun --
Michael Chanan --
Brian Winston --
Garrett Stewart --
Joram ten Brink --
Adam Lowenstein --
Daniel Morgan --
Joran ten Brink --
Alice Correia --
Stephanie Benzaquen --
Ariel Heryanto --
Joshua Oppenheimer --
Benedict Anderson --
Joshua Oppenheimer & Michael Uwemedimo --
Joshua Oppenheimer.
title Killer images : documentary film, memory and the performance of violence /
spellingShingle Killer images : documentary film, memory and the performance of violence /
Acknowledgments --
Notes on contributors --
Introduction /
(De)activating empathy --
Publicity and indifference : media, surveillance and 'humanitarian intervention' /
Shooting with intent : framing conflict /
Immersion (2009) /
Anaesthetising the image : Immersion, Harun Farcocki [sic] /
Revisiting Rocha's 'Aesthetics of Violence' /
Memory of violence : visualising trauma --
Ca va de soi : the visual representation of violence in the Holocaust documentary /
Screen memory in Waltz with Bashir /
Animating trauma : Waltz with Bashir, David Polonsky /
Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa /
On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero /
Battle for history : appropriating the past in the present --
Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi /
Re-enactment, the history of violence and documentary film /
Interpreting Jeremy Deller's The Battle of Orgreave /
Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots /
Screening the 1965 violence /
Performing violence --
Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh /
The killer's search for absolution : Z32, Avi Mograbi /
Impunity /
Show of force : a cinema-seance of power and violence in Sumatra's plantation belt /
Misunderstanding images : standard operating procedure, Errol Morris /
title_sub documentary film, memory and the performance of violence /
title_full Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer.
title_fullStr Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer.
title_full_unstemmed Killer images : documentary film, memory and the performance of violence / edited by Joram Ten Brink & Joshua Oppenheimer.
title_auth Killer images : documentary film, memory and the performance of violence /
title_alt Acknowledgments --
Notes on contributors --
Introduction /
(De)activating empathy --
Publicity and indifference : media, surveillance and 'humanitarian intervention' /
Shooting with intent : framing conflict /
Immersion (2009) /
Anaesthetising the image : Immersion, Harun Farcocki [sic] /
Revisiting Rocha's 'Aesthetics of Violence' /
Memory of violence : visualising trauma --
Ca va de soi : the visual representation of violence in the Holocaust documentary /
Screen memory in Waltz with Bashir /
Animating trauma : Waltz with Bashir, David Polonsky /
Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa /
On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero /
Battle for history : appropriating the past in the present --
Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi /
Re-enactment, the history of violence and documentary film /
Interpreting Jeremy Deller's The Battle of Orgreave /
Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots /
Screening the 1965 violence /
Performing violence --
Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh /
The killer's search for absolution : Z32, Avi Mograbi /
Impunity /
Show of force : a cinema-seance of power and violence in Sumatra's plantation belt /
Misunderstanding images : standard operating procedure, Errol Morris /
title_new Killer images :
title_sort killer images : documentary film, memory and the performance of violence /
publisher Wallflower Press,
publishDate 2012
physical 1 online resource (343 pages) : illustrations.
contents Acknowledgments --
Notes on contributors --
Introduction /
(De)activating empathy --
Publicity and indifference : media, surveillance and 'humanitarian intervention' /
Shooting with intent : framing conflict /
Immersion (2009) /
Anaesthetising the image : Immersion, Harun Farcocki [sic] /
Revisiting Rocha's 'Aesthetics of Violence' /
Memory of violence : visualising trauma --
Ca va de soi : the visual representation of violence in the Holocaust documentary /
Screen memory in Waltz with Bashir /
Animating trauma : Waltz with Bashir, David Polonsky /
Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa /
On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero /
Battle for history : appropriating the past in the present --
Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi /
Re-enactment, the history of violence and documentary film /
Interpreting Jeremy Deller's The Battle of Orgreave /
Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots /
Screening the 1965 violence /
Performing violence --
Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh /
The killer's search for absolution : Z32, Avi Mograbi /
Impunity /
Show of force : a cinema-seance of power and violence in Sumatra's plantation belt /
Misunderstanding images : standard operating procedure, Errol Morris /
isbn 9780231850247
9780231163354
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995.9 D6 K474 42012
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=946273
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43/6581
dewey-sort 3791.43 46581
dewey-raw 791.43/6581
dewey-search 791.43/6581
oclc_num 862937918
work_keys_str_mv AT tenbrinkjoram killerimagesdocumentaryfilmmemoryandtheperformanceofviolence
AT oppenheimerjoshua killerimagesdocumentaryfilmmemoryandtheperformanceofviolence
status_str n
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is_hierarchy_title Killer images : documentary film, memory and the performance of violence /
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