Musical theatre, realism and entertainment / Millie Taylor.
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| Superior document: | Ashgate interdisciplinary studies in opera |
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| TeilnehmendeR: | |
| Year of Publication: | 2012 |
| Language: | English |
| Series: | Ashgate interdisciplinary studies in opera.
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| Online Access: | |
| Physical Description: | viii, 194 p. |
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Table of Contents:
- Musical characterisation in HMS Pinafore and the Rocky horror show
- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
- Integration and distance in musical theatre : the case of Sweeney Todd
- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
- Illusions of realism in West Side story and actor-musician performances
- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.