Shooting movies without shooting yourself in the foot : becoming a cinematographer / / Jack Anderson.

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Year of Publication:2012
Language:English
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Physical Description:xvi, 349 p. :; ill. (some col.)
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spelling Anderson, Jack (John Douglas), 1945-
Shooting movies without shooting yourself in the foot [electronic resource] : becoming a cinematographer / Jack Anderson.
Waltham, Mass. : Focal Press, c2012.
xvi, 349 p. : ill. (some col.)
Includes bibliographical references and index.
What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Cinematography.
Electronic books.
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=767258 Click to View
language English
format Electronic
eBook
author Anderson, Jack 1945-
spellingShingle Anderson, Jack 1945-
Shooting movies without shooting yourself in the foot becoming a cinematographer /
What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes.
author_facet Anderson, Jack 1945-
ProQuest (Firm)
ProQuest (Firm)
author_variant j a ja
author_fuller (John Douglas),
author2 ProQuest (Firm)
author2_role TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Anderson, Jack 1945-
title Shooting movies without shooting yourself in the foot becoming a cinematographer /
title_sub becoming a cinematographer /
title_full Shooting movies without shooting yourself in the foot [electronic resource] : becoming a cinematographer / Jack Anderson.
title_fullStr Shooting movies without shooting yourself in the foot [electronic resource] : becoming a cinematographer / Jack Anderson.
title_full_unstemmed Shooting movies without shooting yourself in the foot [electronic resource] : becoming a cinematographer / Jack Anderson.
title_auth Shooting movies without shooting yourself in the foot becoming a cinematographer /
title_new Shooting movies without shooting yourself in the foot
title_sort shooting movies without shooting yourself in the foot becoming a cinematographer /
publisher Focal Press,
publishDate 2012
physical xvi, 349 p. : ill. (some col.)
contents What is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes.
callnumber-first T - Technology
callnumber-subject TR - Photography
callnumber-label TR850
callnumber-sort TR 3850 A64 42012
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=767258
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 770 - Photography & computer art
dewey-ones 777 - [Unassigned]
dewey-full 777
dewey-sort 3777
dewey-raw 777
dewey-search 777
oclc_num 753480158
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is_hierarchy_title Shooting movies without shooting yourself in the foot becoming a cinematographer /
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