Jane Campion : authorship and personal cinema / / Alistair Fox.
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| Year of Publication: | 2011 |
| Language: | English |
| Online Access: | |
| Physical Description: | xii, 269 p. :; ill. |
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| 020 | |z 0253223016 (pbk. : alk. paper) | ||
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| 050 | 4 | |a PN1998.3.C3545 |b F69 2011 | |
| 082 | 0 | 4 | |a 791.4302/33092 |a B |2 22 |
| 100 | 1 | |a Fox, Alistair. | |
| 245 | 1 | 0 | |a Jane Campion |h [electronic resource] : |b authorship and personal cinema / |c Alistair Fox. |
| 246 | 1 | 4 | |a Jane Campion : |b authorship & personal cinema |
| 260 | |a Bloomington [Ind.] : |b Indiana University Press, |c c2011. | ||
| 300 | |a xii, 269 p. : |b ill. | ||
| 504 | |a Includes bibliographical references, filmography and index. | ||
| 505 | 0 | |a Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship. | |
| 533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 600 | 1 | 0 | |a Campion, Jane, |d 1954- |x Criticism and interpretation. |
| 655 | 4 | |a Electronic books. | |
| 710 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=713662 |z Click to View |