Music and the language of love : seventeenth-century French airs / / Catherine Gordon-Seifert.
Saved in:
Superior document: | Music and the early modern imagination |
---|---|
: | |
TeilnehmendeR: | |
Year of Publication: | 2011 |
Language: | English |
Series: | Music and the early modern imagination.
Musical meaning and interpretation. |
Online Access: | |
Physical Description: | ix, 390 p. :; ill. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
500713660 |
---|---|
ctrlnum |
(MiAaPQ)500713660 (Au-PeEL)EBL713660 (CaPaEBR)ebr10481734 (CaONFJC)MIL323577 (OCoLC)747411069 |
collection |
bib_alma |
record_format |
marc |
spelling |
Gordon-Seifert, Catherine Elizabeth. Music and the language of love [electronic resource] : seventeenth-century French airs / Catherine Gordon-Seifert. Bloomington : Indiana University Press, c2011. ix, 390 p. : ill. Music and the early modern imagination Musical meaning and interpretation Includes bibliographical references and index. Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre. Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Music France 17th century History and criticism. Love songs France 17th century History and criticism. Love in music. Electronic books. ProQuest (Firm) Music and the early modern imagination. Musical meaning and interpretation. https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=713660 Click to View |
language |
English |
format |
Electronic eBook |
author |
Gordon-Seifert, Catherine Elizabeth. |
spellingShingle |
Gordon-Seifert, Catherine Elizabeth. Music and the language of love seventeenth-century French airs / Music and the early modern imagination Musical meaning and interpretation Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre. |
author_facet |
Gordon-Seifert, Catherine Elizabeth. ProQuest (Firm) ProQuest (Firm) |
author_variant |
c e g s ceg cegs |
author2 |
ProQuest (Firm) |
author2_role |
TeilnehmendeR |
author_corporate |
ProQuest (Firm) |
author_sort |
Gordon-Seifert, Catherine Elizabeth. |
title |
Music and the language of love seventeenth-century French airs / |
title_sub |
seventeenth-century French airs / |
title_full |
Music and the language of love [electronic resource] : seventeenth-century French airs / Catherine Gordon-Seifert. |
title_fullStr |
Music and the language of love [electronic resource] : seventeenth-century French airs / Catherine Gordon-Seifert. |
title_full_unstemmed |
Music and the language of love [electronic resource] : seventeenth-century French airs / Catherine Gordon-Seifert. |
title_auth |
Music and the language of love seventeenth-century French airs / |
title_new |
Music and the language of love |
title_sort |
music and the language of love seventeenth-century french airs / |
series |
Music and the early modern imagination Musical meaning and interpretation |
series2 |
Music and the early modern imagination Musical meaning and interpretation |
publisher |
Indiana University Press, |
publishDate |
2011 |
physical |
ix, 390 p. : ill. |
contents |
Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre. |
isbn |
9780253001962 (electronic bk.) |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML270 |
callnumber-sort |
ML 3270.2 G67 42011 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
geographic_facet |
France |
era_facet |
17th century |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=713660 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
782 - Vocal music |
dewey-full |
782.4/3094409032 |
dewey-sort |
3782.4 103094409032 |
dewey-raw |
782.4/3094409032 |
dewey-search |
782.4/3094409032 |
oclc_num |
747411069 |
work_keys_str_mv |
AT gordonseifertcatherineelizabeth musicandthelanguageofloveseventeenthcenturyfrenchairs AT proquestfirm musicandthelanguageofloveseventeenthcenturyfrenchairs |
status_str |
n |
ids_txt_mv |
(MiAaPQ)500713660 (Au-PeEL)EBL713660 (CaPaEBR)ebr10481734 (CaONFJC)MIL323577 (OCoLC)747411069 |
hierarchy_parent_title |
Music and the early modern imagination Musical meaning and interpretation |
is_hierarchy_title |
Music and the language of love seventeenth-century French airs / |
container_title |
Music and the early modern imagination |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1792330715153563648 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03620nam a2200469 a 4500</leader><controlfield tag="001">500713660</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">100527s2011 inua sb 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2010022316</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253354617 (cloth : alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0253354617 (cloth : alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253355270</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253001962 (electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)500713660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL713660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10481734</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL323577</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)747411069</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-fr---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML270.2</subfield><subfield code="b">.G67 2011</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">782.4/3094409032</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gordon-Seifert, Catherine Elizabeth.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and the language of love</subfield><subfield code="h">[electronic resource] :</subfield><subfield code="b">seventeenth-century French airs /</subfield><subfield code="c">Catherine Gordon-Seifert.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Bloomington :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">c2011.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 390 p. :</subfield><subfield code="b">ill.</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Music and the early modern imagination</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Musical meaning and interpretation</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="z">France</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Love songs</subfield><subfield code="z">France</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Love in music.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Music and the early modern imagination.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Musical meaning and interpretation.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=713660</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |