Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook.
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Superior document: | Routledge interpretive marketing research series ; 14 |
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Year of Publication: | 2011 |
Language: | English |
Series: | Routledge interpretive marketing research series ;
14. |
Online Access: | |
Physical Description: | xxiv, 382 p. |
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020 | |z 9780415893138 (alk. paper) | ||
020 | |z 020381553X (Master e-book) | ||
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082 | 0 | 4 | |a 781.5/420973 |2 22 |
100 | 1 | |a Holbrook, Morris B. | |
245 | 1 | 0 | |a Music, movies, meanings, and markets |h [electronic resource] : |b cinemajazzamatazz / |c Morris B. Holbrook. |
260 | |a New York : |b Routledge, |c 2011. | ||
300 | |a xxiv, 382 p. | ||
490 | 1 | |a Routledge interpretive marketing research series ; |v 14 | |
504 | |a Includes bibliographical references. | ||
505 | 0 | |a Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. | |
533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 | |a Motion picture music |z United States |x History and criticism. | |
650 | 0 | |a Jazz in motion pictures. | |
655 | 4 | |a Electronic books. | |
710 | 2 | |a ProQuest (Firm) | |
830 | 0 | |a Routledge interpretive marketing research series ; |v 14. | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=692380 |z Click to View |