Articulating Bodies : : The Narrative Form of Disability and Illness in Victorian Fiction.

Articulating Bodies : : The Narrative Form of Disability and Illness in Victorian Fiction.

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Articulating Bodies shows how Victorian fiction's narrative form as well as narrative theme to negotiate how to categorize bodies, both constructing and questioning the boundary dividing normalcy from abnormality.

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Bibliographic Details
Superior document:Representations: Health, Disability, Culture and Society Series ; v.8
:
Hingston, Kylee-Anne.
Place / Publishing House:Liverpool : : Liverpool University Press,, 2019.
©2019.
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Representations: Health, Disability, Culture and Society Series
Online Access:
Physical Description:1 online resource (232 pages)
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Table of Contents:
  • Cover
  • Contents
  • Acknowledgements
  • Introduction
  • Text as Body and Body as Text: How Literary Form Textually Creates the Body
  • Negotiating Victorian Disability
  • I. Grotesque Bodies: Hybridity and Focalization in Victor Hugo's Notre-Dame de Paris
  • Hybridity, Disability, and the 'Modern' Novel
  • Focalization: Externally Authoritative or Internally Ambiguous
  • Reading Quasimodo: Interpretation or Empathy?
  • II. Social Bodies: Dickens and the Disabled Narrator in Bleak House
  • Externally Focalizing on the Social Body
  • Smallpox and the Esther Industry: Critical Readings of Esther's Facial Scarring
  • Focalization, Form, and the Fractured Self
  • 'Shape Structures Story': The Disabled Narrator
  • III. Sensing Bodies: Negotiating the Body and Identity in Mary Elizabeth Braddon's Aurora Floyd and Wilkie Collins's The Moonstone
  • The 'Physiological Telegraph': Genre, Form, and the Body in Aurora Floyd
  • Reading Disability and Reading Health
  • Destabilizing Normalcy: Focalization, Identity, and the Body in The Moonstone
  • Destabilizing Normalcy at the Shivering Sand
  • Linearity and Narrative Control of Deviance
  • IV. Sanctified Bodies: Christian Theology and Disability in Ellice Hopkins's Rose Turquand and Charlotte Yonge's The Pillars of the House
  • Individual Incarnation and the Single-Focused Narrative: Disability and Illness in Rose Turquand
  • Focalization and the Collective Body
  • Communal Incarnation and the Multiple-Focus Narrative: Disability and Illness in The Pillars of the House
  • Intellectual Disability, Focalization, and Closure
  • V. Fairy-Tale Bodies: Prostheses and Narrative Perspective in Dinah Mulock Craik's The Little Lame Prince
  • Prostheticizing Maturity
  • Embodied Narrator and Readers
  • Focalization and Prosthesis
  • VI. Mysterious Bodies: Solving and De-Solving Disability in the Fin-de-Siècle Mystery.
  • Constructing the Disabled Object: The Scientific Gaze in Strange Case of Dr Jekyll and Mr Hyde
  • Diagnosing Hyde
  • Narrative Prosthesis and the Gothic Open Ending
  • Detecting Disability: Narrative Structure and Reading the Body in 'The Crooked Man'
  • Detective Fiction's Drive towards Closure and Cure
  • Focalizing Disability's Shifting Signification
  • Afterword
  • Works Cited
  • Index.

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