Film As Embodied Art : : Bodily Meaning in the Cinema of Stanley Kubrick.
Film as Embodied Art reveals Stanley Kubrick as a genuine master of the art of embodying themental life of characters, a filmmaker who perhaps more than any otherdirector, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodiedconditions necessary to achi...
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| Place / Publishing House: | Boston, MA : : Academic Studies Press,, 2019. {copy}2019. |
| Year of Publication: | 2019 |
| Edition: | 1st ed. |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (264 pages) |
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Table of Contents:
- Front Cover
- Half-Title Page
- Title Page
- Copyright Page
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction The Theoretical Context of This Study
- Chapter 1 Identifying the Meaning: In Search of the Concepts of Kubrick's Films
- Chapter 2 Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies
- Chapter 3 Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting
- Chapter 4 Fleshing Out the Embodied Meaning Visually: The Art of Kubrick
- Chapter 5 Seeing and Listening to Kubrick's Films: The Embodied Film Viewer
- Appendix
- Glossary
- Filmography
- Discography
- Bibliography
- Back Cover.