Screens and veils : Maghrebi women's cinema / / Florence Martin.
Saved in:
Superior document: | New directions in national cinemas |
---|---|
: | |
TeilnehmendeR: | |
Year of Publication: | 2011 |
Language: | English |
Series: | New directions in national cinemas.
|
Online Access: | |
Physical Description: | x, 271 p. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Overture: Maghrebi women's transvergent cinema
- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
- Coda.