Terrorizing Images : : Trauma and Ekphrasis in Contemporary Literature.
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| Superior document: | Culture and Conflict Series ; v.16 |
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| TeilnehmendeR: | |
| Place / Publishing House: | Berlin/Boston : : Walter de Gruyter GmbH,, 2020. ©2020. |
| Year of Publication: | 2020 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Culture and Conflict Series
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| Online Access: | |
| Physical Description: | 1 online resource (210 pages) |
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Table of Contents:
- Intro
- Table of Contents
- Introduction: Encounters between Trauma and Ekphrasis, Words and Images
- De te fabula narratur! Violence and Representation in Peter Weiss's The Aesthetics of Resistance
- What Does It Mean To Be Human? Speculative Ekphrasis and Anthropocene Trauma in Don DeLillo's Zero K
- The Ordinariness of Trauma: Reconstructing Intertextuality as an Aesthetics of Trauma
- Terrorizing Images and Traumatic Anticipation in Michael Cunningham's The Hours
- Phantomogenic Ekphrasis: Traumatizing Images in Michael Cunningham's Specimen Days and Don DeLillo's Falling Man
- Reenacting Rape in Édouard Louis's History of Violence
- Empathic Vision? War Photography, Ekphrasis, and Memory in Bosnian War Literature
- Remedial Intermediality: Ekphrasis in Sinéad Morrissey's "The Doctors"
- Traumatizing Images of Belfast in Mary Costello's Novel Titanic Town
- Ekphrasis and the Holocaust: Traumatic Images in Jonathan Littell's The Kindly Ones
- White Oblivion: Antarctica and the Suspension of Trauma
- Contributors
- Index.