The Structures of the Film Experience by Jean-Pierre Meunier : : Historical Assessments and Phenomenological Expansions.
Saved in:
Superior document: | Film Theory in Media History Series |
---|---|
: | |
TeilnehmendeR: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2019. Ã2019. |
Year of Publication: | 2019 |
Edition: | 1st ed. |
Language: | English |
Series: | Film Theory in Media History Series
|
Online Access: | |
Physical Description: | 1 online resource (354 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Intro
- Table of Contents
- Introduction
- "Every Theory Needs a Reference to Lived Experience" : An Interview with Jean-Pierre Meunier
- Part I - Jean-Pierre Meunier The Structures of the Film Experience: Filmic Identification
- Introduction
- Part One: Introduction to the General Structures of Experience
- Part Two: The Film Experience
- General Conclusion
- I: Placing Meunier in the History of Film Theory
- Stages of an Encounter with Filmic Identification
- Between Phenomenology and Psychoanalysis : Jean-Pierre Meunier's Theory of Identification in the Cinema
- The Missing Link: Meunier on Imagination and Emotional Engagement
- II: On the Home-movie attitude
- 'Me, Myself, and I': On the Uncanny in Home Movies
- Remembering Cinema: On the film-souvenir
- III: On Identification
- You Talkin' to Me? On Filmic Identification in Video-Selfies
- Illuminating Reality : Cinematic Identification Revisited in the Eyes of Buddhist Philosophies
- Whose Identification? A Brief Meditation on the Relevance of Jean- Pierre Meunier's The Structures of the Film Experience to Contemporary Feminist Film Phenomenology
- IV: Referentiality and Mediation
- Jean-Pierre Meunier's Modalities of the "Filmic Attitude": Towards a Theory of Referentiality in Cinematic Discourse
- Phenomenology, Immediacy, and Mediation : On Derrida, Meunier, and Landgrebe
- V: Phenomenological Expansions
- Cinema and Child's Play
- Engines of the Historical Imagination : Towards a Phenomenology of Cinema as Non-Art
- When Viewers Drift Off: A Brief Phenomenology of Cinematic Daydreaming
- List of Illustrations.