Operatic Pasticcios in 18th-Century Europe : : Contexts, Materials and Aesthetics.
Saved in:
Superior document: | Mainzer Historische Kulturwissenschaften ; v.45 |
---|---|
: | |
TeilnehmendeR: | |
Place / Publishing House: | Bielefeld : : transcript,, 2021. ©2021. |
Year of Publication: | 2021 |
Edition: | 1st ed. |
Language: | English |
Series: | Mainzer Historische Kulturwissenschaften
|
Online Access: | |
Physical Description: | 1 online resource (799 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 05078nam a22004333i 4500 | ||
---|---|---|---|
001 | 5006564675 | ||
003 | MiAaPQ | ||
005 | 20240229073840.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240229s2021 xx o ||||0 eng d | ||
020 | |a 9783839448854 |q (electronic bk.) | ||
020 | |z 9783837648850 | ||
035 | |a (MiAaPQ)5006564675 | ||
035 | |a (Au-PeEL)EBL6564675 | ||
035 | |a (OCoLC)1248759283 | ||
040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
082 | 0 | |a 700 | |
100 | 1 | |a Over, Berthold. | |
245 | 1 | 0 | |a Operatic Pasticcios in 18th-Century Europe : |b Contexts, Materials and Aesthetics. |
250 | |a 1st ed. | ||
264 | 1 | |a Bielefeld : |b transcript, |c 2021. | |
264 | 4 | |c ©2021. | |
300 | |a 1 online resource (799 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Mainzer Historische Kulturwissenschaften ; |v v.45 | |
505 | 0 | |a Cover -- Content -- Introduction -- The World of Pasticcio: Reflections on Pre-Existing Text and Music -- Italian Pasticcio Opera, 1700-1750: Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau's pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio's drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio Between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians - Traveling Music? -- A Voice of Two Cities: Francesco Borosini Between the Habsburg Court and the Royal Academy -- Debts and Destiny: New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria da baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera Troupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, 'Dressing': The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario's Role -- Artaserse (Rome, 1721), Nicola Porpora's First Pasticcio -- Singers of the Viennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda's Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London. | |
505 | 8 | |a Local Conditions of Pasticcio Production and Reception: Between Prague, Wrocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis's Common Practice? -- A Granted Royal Wish, or Carlo Goldoni's La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater - Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios - Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices - Gluck's and Berton's Cythère assiégée (1775) -- The Use of Extracts of Mozart's Operas in Polish Sacred Music -- Pasticcio da Chiesa: Transforming Opera Arias into an Oratorio. The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno's Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717). A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck's Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement - Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places. | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | |a Operas. | |
655 | 4 | |a Electronic books. | |
700 | 1 | |a Nieden, Gesa zur. | |
776 | 0 | 8 | |i Print version: |a Over, Berthold |t Operatic Pasticcios in 18th-Century Europe |d Bielefeld : transcript,c2021 |z 9783837648850 |
797 | 2 | |a ProQuest (Firm) | |
830 | 0 | |a Mainzer Historische Kulturwissenschaften | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6564675 |z Click to View |