Social Work, Sociometry, and Psychodrama : : Experiential Approaches for Group Therapists, Community Leaders, and Social Workers.

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Bibliographic Details
Superior document:Psychodrama in Counselling, Coaching and Education Series ; v.1
:
Place / Publishing House:Singapore : : Springer Singapore Pte. Limited,, 2021.
©2021.
Year of Publication:2021
Edition:1st ed.
Language:English
Series:Psychodrama in Counselling, Coaching and Education Series
Online Access:
Physical Description:1 online resource (457 pages)
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Table of Contents:
  • Intro
  • Series Preface
  • Foreword
  • Acknowledgements
  • Praise for Social Work, Sociometry, and Psychodrama
  • Contents
  • About the Author
  • List of Figures
  • List of Tables
  • 1 Introduction to Social Work, Sociometry, and Psychodrama
  • 1.1 USA and International Contexts
  • 1.1.1 Cultural Contexts
  • 1.2 What Are Sociometry and Psychodrama?
  • 1.3 Social Work with Groups
  • 1.4 Social Workers and Beyond
  • 1.5 Concerning Psychodramatists
  • 1.6 How to Read This Book
  • References
  • Part IHistory of Social Work with Groups and Moreno's Methods
  • 2 History of Social Work with Groups in Practice and Education
  • 2.1 Brief History of the Social Work Profession
  • 2.2 History of Group Work in Social Work
  • 2.3 Social Group Work Defined
  • 2.4 Group Work's Increased Demand in Practice
  • 2.5 Placing Group Work Within the Historical Context of Social Work Education
  • 2.6 Conclusion
  • References
  • 3 History of Sociometry, Psychodrama, Group Psychotherapy, and Jacob L. Moreno
  • 3.1 History of Group Psychotherapy
  • 3.1.1 Group Psychotherapy Defined
  • 3.1.2 Moreno's Controversial Personality
  • 3.2 History of Sociometry, Psychodrama, and Jacob L. Moreno
  • 3.3 Moreno as a Social Worker and Sociatrist
  • 3.4 Sociometry and Psychodrama Since Moreno's Death in 1974
  • 3.5 Conclusion
  • References
  • Part IIAn Integrated Theory and Philosophy of Social Work, Sociometry, and Psychodrama
  • 4 Social Work Philosophy Encounters Morenean Philosophy
  • 4.1 Philosophical Underpinnings of Moreno's Work
  • 4.2 Human Nature, Cosmic Man, and the Godhead
  • 4.3 The Encounter Symbol and Autonomous Healing Center
  • 4.4 Spontaneity-Creativity Theory
  • 4.5 The Moment, the Situation, and the Here-and-Now
  • 4.6 Action Theory
  • 4.7 Role Theory
  • 4.8 Developmental Theory
  • 4.9 Biopsychosocial-Spiritual Existence.
  • 4.10 Social Work Values Relationship to Moreno's Work
  • 4.11 The Importance and Centrality of Relationships
  • 4.11.1 Dignity and Worth of Each Human Being
  • 4.11.2 Social Justice
  • 4.11.3 Service
  • 4.11.4 Competence
  • 4.11.5 Integrity
  • 4.11.6 Conclusion
  • References
  • 5 Sociometry and Social Work Theory
  • 5.1 Sociometric Theory and Research
  • 5.2 Moreno's Interpersonal Theory and the Encounter
  • 5.3 The Social Atom
  • 5.4 Cultural Atom
  • 5.5 The Sociogram
  • 5.5.1 Sociodynamic Effect
  • 5.5.2 Tele
  • 5.6 Social Networks and Society
  • 5.7 Organic Unity of Humankind
  • 5.8 Social Work and Sociometry
  • 5.9 Conclusion
  • References
  • 6 Psychodrama and Social Work Theory
  • 6.1 Healing in Action
  • 6.2 Catharsis
  • 6.3 Surplus Reality and Concretization
  • 6.4 Three Phases of a Psychodrama
  • 6.4.1 The Warm-Up
  • 6.4.2 The Enactment
  • 6.4.3 Sharing
  • 6.5 The Five Elements of a Psychodrama
  • 6.5.1 Stage
  • 6.5.2 Protagonist
  • 6.5.3 Director
  • 6.5.4 Auxiliary Egos
  • 6.5.5 The Audience or the Group
  • 6.6 Morenean Philosophy and Sociometric Theory Within Psychodrama
  • 6.6.1 Sociometry
  • 6.6.2 Role Theory, Role Relations, and Role-Playing
  • 6.6.3 Theories of Change
  • 6.6.4 Developmental Theory
  • 6.7 Psychodrama and Social Work Theory
  • 6.8 Conclusion
  • References
  • Part IIISocial Work and Moreno's Methods Informed by Trauma, Neuroscience, Strengths, and Research
  • 7 Trauma, Social Work, and Psychodrama
  • 7.1 Trauma-Informed Practice
  • 7.2 History of Trauma-Informed Practice
  • 7.3 Trauma-Informed Practice Versus Trauma-Focused Practice
  • 7.4 Culture, Oppression, and Social Justice
  • 7.5 Trauma and Social Work Education
  • 7.6 Trauma-Focused Group Work
  • 7.7 Trauma-Focused Psychodrama
  • 7.7.1 Safety, Play, and Spontaneity
  • 7.8 Therapeutic Spiral Model
  • 7.8.1 Prescriptive Roles and Safety Structures.
  • 7.8.2 The Triangle of Trauma Roles
  • 7.8.3 Transformative Roles of Post-traumatic Growth
  • 7.9 Relational Trauma Repair Model
  • 7.9.1 Level 1: Sociometrics
  • 7.9.2 Level 2: Reconstructive Role Plays
  • 7.10 Conclusion
  • References
  • 8 Interpersonal Neurobiology, Social Work, Sociometry, and Psychodrama
  • 8.1 Trauma and Neuroscience
  • 8.1.1 Brain Structure and Brain Systems
  • 8.1.2 Attachment and Brain Development
  • 8.1.3 Polyvagal Theory and Danger Responses
  • 8.1.4 Stress Regulation and the HPA Axis
  • 8.1.5 Experience and Memory
  • 8.1.6 Dissociation, Fragmentation, and Integration
  • 8.2 Social Work and Neuroscience
  • 8.2.1 Foundation of Relationships
  • 8.3 Group Psychotherapy and Neuroscience
  • 8.3.1 Group Holding Environment
  • 8.3.2 Early Childhood Experiences
  • 8.3.3 Neural Integration Through Group Psychotherapy
  • 8.4 Sociometry, Psychodrama, and Neuroscience
  • 8.4.1 Action
  • 8.4.2 Healing Trauma with Psychodrama
  • 8.4.3 Integration as the Key to Wellness
  • 8.4.4 Mirror Neurons-The Double, The Mirror, and Audience Catharsis
  • 8.4.5 Role-Playing and Role Reversal
  • 8.4.6 Neurospirituality of Spontaneity
  • 8.5 Sociometry and Interpersonal Neurobiology
  • 8.6 Conclusion
  • References
  • 9 Strengths-Based and Mutual Aid Approaches in Social Work and Psychodrama
  • 9.1 Strengths-Based Social Work Practice
  • 9.1.1 Positive Psychology and Strengths-Based Social Work
  • 9.2 Strengths-Based Approach with Trauma
  • 9.2.1 Resilience
  • 9.2.2 Post-Traumatic Growth
  • 9.3 Mutual Aid as a Strengths-Based Group-As-A-Whole Approach
  • 9.3.1 Mutual Aid in Social Work
  • 9.3.2 Group-As-A-Whole
  • 9.3.3 Moreno's Sociometry as a Group-As-A-Whole Mutual Aid Process
  • 9.4 Strengths-Based Psychodrama
  • 9.4.1 Morenean Philosophy as Strengths-Based Humanistic Approach
  • 9.4.2 Positive Psychology and Positive Psychodrama.
  • 9.4.3 Therapeutic Spiral Model
  • 9.4.4 Souldrama
  • 9.5 Conclusion
  • References
  • 10 Creating an Evidence Base for Social Work, Group Work, and Psychodrama
  • 10.1 Social Work and Evidence-Based Practice
  • 10.2 Limitations and Critiques of Evidence-Based Practice
  • 10.3 Group Psychotherapy Research
  • 10.4 Humanistic-Experiential Psychotherapy Research
  • 10.5 Research on Drama Therapy, Creative Arts Therapies, and Body- and Movement-Oriented Therapies
  • 10.6 Psychodrama's Evidence Base
  • 10.6.1 Psychodrama Research Limitations
  • 10.7 Moreno the Researcher
  • 10.8 Conclusion
  • References
  • Part IVSociometry and Psychodrama in Social Group Work
  • 11 Experiential Sociometry Practice and Safety Structures with Groups
  • 11.1 Clinical Applications of Sociometry
  • 11.2 Dyads, Triads, and Small Groups
  • 11.3 Spectrograms
  • 11.4 Locograms
  • 11.5 Floor Checks
  • 11.6 Step-in Sociometry
  • 11.7 Hands-on-Shoulder Sociograms
  • 11.8 Circle of Strengths
  • 11.9 Conclusion
  • References
  • 12 Warming-up, Sociometric Selection, and Therapeutic Factors
  • 12.1 The Warming-up Process
  • 12.2 Warming-up as Director
  • 12.3 Sociometric Selection of Topic and Protagonist
  • 12.4 Contracting and Initial Interview
  • 12.5 Warming-up to Therapeutic Factors
  • 12.6 Therapeutic Factors in Group Therapy
  • 12.6.1 Instillation of Hope
  • 12.6.2 Universality
  • 12.6.3 Imparting Information
  • 12.6.4 Altruism
  • 12.6.5 The Corrective Recapitulation of the Primary Family Group
  • 12.6.6 Development of Socializing Techniques
  • 12.6.7 Imitative Behavior
  • 12.6.8 Interpersonal Learning
  • 12.6.9 Group Cohesiveness
  • 12.6.10 Catharsis
  • 12.6.11 Existential Factors
  • 12.7 Conclusion
  • References
  • 13 Essentials of Psychodrama Practice
  • 13.1 Psychodramatic Techniques and Interventions
  • 13.1.1 Doubling
  • 13.1.2 Mirroring
  • 13.1.3 Role Reversal.
  • 13.1.4 Soliloquy
  • 13.1.5 Initial Interview
  • 13.1.6 Scene Setting
  • 13.1.7 Self-Presentation
  • 13.1.8 Spontaneous Improvisation
  • 13.1.9 Sculpting
  • 13.1.10 Resistance Interpolation
  • 13.1.11 Games
  • 13.1.12 Intermediate Objects
  • 13.1.13 Role Training
  • 13.1.14 The Empty Chair and Multiple Empty Chairs
  • 13.2 Psychodrama Interventions Adapted for Teletherapy
  • 13.3 Psychodrama Scenes
  • 13.3.1 The Psychodramatic Spiral
  • 13.3.2 Hollander Curve
  • 13.4 Closure, De-roling, and Striking the Set
  • 13.5 Sharing in Psychodrama
  • 13.6 Conclusions
  • References
  • 14 Advanced Psychodrama Directing
  • 14.1 Sociometry Within a Psychodrama
  • 14.2 Advanced Directing of the Audience
  • 14.3 Moments of Multiple Protagonists
  • 14.4 Clinical Role Assignments and Advanced Auxiliary Directing
  • 14.4.1 Projective Identification
  • 14.4.2 Prescribing Roles
  • 14.5 Trauma-Based Role Considerations for Safety
  • 14.6 De-Roling Difficult Roles
  • 14.7 Conclusion
  • References
  • 15 Other Experiential Approaches Similar to Psychodrama
  • 15.1 Sociodrama
  • 15.2 Social Microscopy and Sociatry
  • 15.3 Other Morenean or Psychodrama Approaches
  • 15.3.1 Axiodrama
  • 15.3.2 Monodrama
  • 15.3.3 Autodrama
  • 15.3.4 Ethnodrama
  • 15.3.5 Bibliodrama
  • 15.4 Teledrama and Telemedicine
  • 15.5 Other Approaches Similar to Psychodrama
  • 15.5.1 Drama Therapy
  • 15.5.2 Playback Theater
  • 15.5.3 Theater of the Oppressed
  • 15.5.4 Gestalt Therapy
  • 15.5.5 Internal Family Systems
  • 15.5.6 Pesso Boyden System Psychomotor Therapy
  • 15.5.7 Family Constellations and Systemic Constellations
  • 15.6 Conclusion
  • References
  • Part VSociometry and Psychodrama in Individual Social Work Practice
  • 16 Sociometric Assessment and Written Psychodramatic Interventions in Individual Social Work Practice
  • 16.1 The Social Atom
  • 16.2 The Role Atom
  • 16.3 Timeline Assessments.
  • 16.4 Psychodramatic Letter Writing and Journaling.