Affirmative Aesthetics and Wilful Women : : Gender, Space and Mobility in Contemporary Cinema.
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| Place / Publishing House: | Cham : : Springer International Publishing AG,, 2020. ©2020. |
| Year of Publication: | 2020 |
| Edition: | 1st ed. |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (197 pages) |
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Table of Contents:
- Affirmative Aesthetics and Wilful Women
- Preface
- Acknowledgements
- Contents
- List of Figures
- Chapter 1: Introduction: Gender, Space, and Affects in Film
- An Inter-disciplinary Approach to Mobility, Space, and Gender on Screen
- Space-Time and Power-Geometries
- Forms, Bodies, and Affects on Screen
- Affective Cinematic Spaces
- Filmic Affects as Affirmative Aesthetics
- Wilfulness and Affirmative Politics
- Book Structure
- References
- Chapter 2: Women's Road Movies and Affirmative Wandering: Messidor
- References
- Untitled
- Chapter 3: Cars: A Micro-analysis of Space and Bodies in Vendredi soir
- Windows, Wandering Camera, and Magical Realism
- A Space of Intimacy: Recollection Objects and Haptic Cinematic Space
- The Car, a Vehicle of (Im)Mobility
- Affirmative Wandering
- Gendered Contacts, Affective Contacts
- Desiring Bodies
- Rewriting Spatial Habitation: A Place Called Home?
- References
- Chapter 4: Houses and Wilful Women: Wadjda
- Wadjda in Context
- In the Streets of Riyadh
- A Passport to Be Mobile
- Bending Lines
- Wilful to Appear Docile
- A Space of One's Own
- Housing Wilfulness
- References
- Chapter 5: Streets: Freedom, Diaspora, and the Erotic in Head-On
- A Rewriting of Space-Time
- Freedom and the Erotic as Power
- Dance and Diaspora
- Punk and Abjection as Affirmative Forms
- Windows, Hotels, and a Space for Pausing
- Domestic Space and Gender Roles
- References
- Chapter 6: Conclusion: Forms of Affirmative Aesthetics
- References
- Index.