Craftspeople and Designer Makers in the Contemporary Creative Economy.

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Bibliographic Details
Superior document:Creative Working Lives Series
:
TeilnehmendeR:
Place / Publishing House:Cham : : Springer International Publishing AG,, 2020.
©2020.
Year of Publication:2020
Edition:1st ed.
Language:English
Series:Creative Working Lives Series
Online Access:
Physical Description:1 online resource (269 pages)
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Table of Contents:
  • Craftspeople and Designer Makers in the Contemporary Creative Economy
  • Acknowledgements
  • Contents
  • List of Figures
  • List of Tables
  • Chapter 1: Introduction
  • Craft and Making Today: The Rise of Craft and Design Across the Global North
  • Crafting Selves Today: The Project and Data Informing This Book
  • The Project
  • Race, Ethnicity and the Contemporary Craft and Designer Maker Sector in Australia
  • Aboriginal and Torres Strait Islander Craft and Designer Making
  • Chapter Overview
  • References
  • Chapter 2: Meaningful Making in the Contemporary Creative Economy
  • Who Are Australia's Contemporary Craftspeople and Designer Makers and Why Do They Make?
  • Makers: 'Old' and New
  • Career Changers
  • Returners
  • Enabling Ecosystems and Family Making Histories
  • Family Making Histories
  • Early Material and Tool Knowledges
  • The Impact of Educational Encouragement and Exposure
  • The Values and Personal Meaning of Small-Scale Making Today
  • References
  • Chapter 3: Educating for Enterprise
  • Craft in Colonial Australia
  • Formalising Applied Arts Education: Mechanics Institutes in Australia
  • Training to Support a New National Economy
  • The Rise of the Universities
  • The University Experience
  • Twenty-First-Century Craft and Design Education in Australia
  • Getting Down to Business: Professional Skills in Practice-Based Education
  • Drawing on Previously Acquired Transferable Skills
  • Creating and Communicating Personal Narratives
  • Crafting a Career Progression: Filling the Skills Gaps
  • New Enterprise Incentive Scheme
  • Shared Spaces
  • Asking for Advice and Support
  • Personal Qualities
  • References
  • Chapter 4: Establishing a Crafty Making Future: What Does a Career in Craft Look Like Today?
  • Describing a Creative Career
  • The Realities of Maker Incomes (from Making).
  • Creative Work and (the Lack of) Business Savvy
  • References
  • Chapter 5: What Does 'Handmade' Mean Today?
  • The Emergence of the Designer Maker and Contemporary 'Craft' Scaling-Up
  • Moving from Maker to Employer
  • Digital Making Futures for Small-Scale Production
  • References
  • Chapter 6: Selling Craft and Design: The Cultural and Economic Intricacies of the Contemporary Artisanal Marketplace
  • Where People Are Selling in the Australian Craft and Designer Maker Marketplace
  • Etsy and Online Selling in Australia
  • The Desire for Face-to-Face Interaction and the Rise of Curated Designer Maker Markets
  • Craft, Design and Local Economies in a Global World
  • Localism, Craft and Contemporary Exchange Economies
  • References
  • Chapter 7: Craft and Design in an Age of Climate Crisis
  • Materials Sourcing
  • Use of Sustainable Materials: Sourcing Timber
  • Negotiating, Sourcing and Using Animal-Based Materials
  • Up-/Recycling
  • Why It's Important to Give Attention to This: The Toxic Shadow Realities of Craft
  • Craft = Quality = 'Made to Last'/'Made to Hold Onto' (and Be Repairable)
  • Craft as Part of a Lifestyle Downshifting Choice
  • Low Carbon Futures and Digital Tools
  • Circular Economies of Craft
  • References
  • Chapter 8: Creative Craft and Design Microenterprise in the Age of Social Media
  • The Online Worlds of Australia's Craftspeople and Designer Makers
  • The Rise and Rise of the Visual: Instagram
  • Social Media and the Labour of Maintaining an Online Presence
  • Managing Social Media
  • Digital Technology and Creative Selling: A Boon and a Curse
  • Working Alone Together: Craft Collectives and Guilds in the Digital Age
  • References
  • Appendix 1: Crafting Self-Research Participants
  • Appendix 2: Indicative Semi-Structured Interview Schedule (Established Practitioners)
  • Appendix 1: Crafting Self-Research Participants.
  • Appendix 2: Indicative Semi-Structured Interview Schedule (Established Practitioners)
  • Index.