Rematerializing colour : : from concept to substance / / edited by Diana Young.

Colour is largely assumed to be already in the world, a natural universal that everyone, everywhere understands. Yet cognitive scientists routinely tell us that colour is an illusion, and a private one for each of us; neither social nor material, it is held to be a product of individual brains and e...

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Place / Publishing House:Canon Pyon : : Sean Kingston Publishing,, [2018]
2018
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (263 pages) :; illustrations, maps
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245 0 0 |a Rematerializing colour :  |b from concept to substance /  |c edited by Diana Young. 
264 1 |a Canon Pyon :  |b Sean Kingston Publishing,  |c [2018] 
264 4 |c 2018 
300 |a 1 online resource (263 pages) :  |b illustrations, maps 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a Colour is largely assumed to be already in the world, a natural universal that everyone, everywhere understands. Yet cognitive scientists routinely tell us that colour is an illusion, and a private one for each of us; neither social nor material, it is held to be a product of individual brains and eyes rather than an aspect of things. This collection seeks to challenge these assumptions and examine their farreaching consequences, arguing that colour is about practical involvement in the world, not a finalized set of theories, and getting to know colour is relative to the situation one is in both ecologically and environmentally. Specialists from the fields of anthropology, psychology, cinematography, art history and linguistics explore the depths of colour in relation to light and movement, memory and landscape, language and narrative, in case studies with an emphasis on Australian First Peoples, but ranging as far afield as Russia and First Nations in British Columbia. What becomes apparent, is not only the complex but important role of colours in socializing the world; but also that the concept of colour only exists in some times and cultures. It should not be forgotten that the Munsell Chart, with its construction of colours as mathematical coordinates of hues, value and chroma, is not an abstraction of universals, as often claimed, but is itself a cultural artefact --  |c Source other than Library of Congress. 
588 |a Description based on print version record. 
590 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
650 0 |a Color. 
650 0 |a Color  |x Psychological aspects. 
650 0 |a Color  |x Social aspects. 
650 0 |a Color in art. 
650 0 |a Aesthetics. 
655 4 |a Electronic books. 
700 1 |a Young, Diana  |q (Diana Jane Barbara),  |e editor. 
776 0 8 |i Print version:  |t Rematerializing colour : from concept to substance.  |d Canon Pyon : Sean Kingston Publishing, c2018   |h 263 pages   |z 9781907774256   |w (DLC) 2018404798 
797 2 |a ProQuest (Firm) 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6194580  |z Click to View