Digital art / / Christiane Paul.
Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as internet art, software art, digital install...
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| Superior document: | World of art |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | London ;, New York, New York : : Thames & Hudson,, [2015] 2015 |
| Year of Publication: | 2015 |
| Edition: | Third edition. |
| Language: | English |
| Series: | World of art.
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| Online Access: | |
| Physical Description: | 1 online resource (272 pages) :; illustrations. |
| Notes: | Previous edition: 2008. |
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| 100 | 1 | |a Paul, Christiane, |e author. | |
| 245 | 1 | 0 | |a Digital art / |c Christiane Paul. |
| 250 | |a Third edition. | ||
| 264 | 1 | |a London ; |a New York, New York : |b Thames & Hudson, |c [2015] | |
| 264 | 4 | |c 2015 | |
| 300 | |a 1 online resource (272 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a World of art | |
| 500 | |a Previous edition: 2008. | ||
| 504 | |a Includes bibliographical references (pages 264-265) and index. | ||
| 520 | |a Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as internet art, software art, digital installation and virtual reality have emerged as recognized artistic practices. Christiane Paul surveys the developments in digital art from its appearance in the 1980s to the present day and looks ahead to what the future may hold. Drawing a distinction between work that uses digital technology as a tool to produce traditional forms and work that uses it as a medium to create new types of art, she discusses the key artists and works. The book explores themes addressed and raised by these artworks, such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation and preservation of digital art. This third, expanded edition investigates key areas of digital art practice that have gained in prominence in recent years, including the emergence and impact of locative media, interactive public installation, augmentive and mixed reality, social networking, and file-sharing and tablet technologies. | ||
| 588 | |a Description based on print version record. | ||
| 590 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | |a Computer art. | |
| 650 | 0 | |a New media art. | |
| 650 | 0 | |a Art and technology. | |
| 655 | 4 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Paul, Christiane. |t Digital art. |b Third edition. |d London ; New York, New York : Thames & Hudson, c2015 |h 272 pages |k World of art. |z 9780500204238 |w (DLC) 2014949679 |
| 797 | 2 | |a ProQuest (Firm) | |
| 830 | 0 | |a World of art. | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=5878094 |z Click to View |