Projecting the world : : representing the "foreign" in classical Hollywood / / edited by Anna Cooper and Russell Meeuf.
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| Superior document: | Contemporary approaches to film and media series |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Detroit : : Wayne State University Press,, [2017] 2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Contemporary approaches to film and media series.
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| Online Access: | |
| Physical Description: | 1 online resource (vii, 268 pages) :; illustrations. |
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Table of Contents:
- Introduction: Classical Hollywood and Transnational Culture / Anna Cooper and Russell Meeuf
- Part I: Islands and Identity
- Isles of Fright: Gothic Tropics and Island Horror / Louis Bayman
- Charlie Chan's Multicolored Passport: Territorial Hawaii and Classical Hollywood's Transnational "Foreign" Detective / Elizabeth Rawitsch
- "The Jungle Is My Home": Questions of Belonging, Exile, and the Negotiation of Foreign Spaces in the Tarzan Films of Johnny Weissmuller / Gabor Gergely
- Inhabiting the Space of the Other: Josef von Sternberg's Anatahan / Edward K. Chan
- Part 2: European Vacations
- America's Travelogue Romance with Italy, 1953-1969 / Ian Jarvie
- Prestige Film Aesthetics and Europeanized Hollywood in the 1950s / Chris Cagle
- "Our Love Is Here to Stay": Transatlantic Relations in 1950s Hollywood Musicals about Paris / Anna Cooper
- Part 3: Desert and Savannah Adventures
- In the Foucauldian Mirror: Budd Boetticher's Mexico and the United States in the 1950s / Saverio Giovacchini
- From the Pampas to the Jockey Club: Familiar Exoticism in Hollywood's Argentina / Fernando Gabriel Pagnoni Berns, Mariana Zarate, and Patricia Haydee Vazquez
- John Wayne's Africa: European Colonialism versus U. S. Global Leadership in Legend of the Lost (1957) / Russell Meeuf.