Images of Dutchness : : Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800-1914.

• Superior document: Framing Film Series
• Author: Dellmann, Sarah.
• Place / Publishing House: Amsterdam : : Amsterdam University Press,, 2018.; {copy}2018.
• Year of Publication: 2018
• Edition: 1st ed.
• Language: English
• Series: Framing Film Series
• Physical Description: 1 online resource (423 pages)

Table of Contents

• Intro
• Table of Contents
• Acknowledgements
• Images of Dutchness: An Introduction
• Chapter 1. Analysing Images of Dutchness: From Stereotype to National Cliché
• 1.1 Introduction
• 1.2 Supposed Common Knowledge and the Stereotype
• 1.3 Nationality, Nationalism, Nationness: The Netherlands, Dutch, Dutchness
• 1.4 Approaches
• 1.5 Outlook
• Chapter 2. Spectacularly Dutch: Popular Visual Media from Print to Early Cinema
• 2.1 Introduction
• 2.2 Illustrated Magazines
• 2.3 Travel Guidebooks
• 2.4 Travel brochures, Leaflets, and Promotional Material for (Potential) Tourists
• 2.5 Sets of Prints, Cartes de Visite, and Cabinet Cards of People in Local Costume
• 2.6 Catchpenny Prints
• 2.7 Perspective Prints
• 2.8 Advertising Trade Cards
• 2.9 Stereoscopic Photographs
• 2.10 Magic Lanterns and Lantern Slide Sets
• 2.11 Picture Postcards
• 2.12 Film
• 2.13 Conclusion
• Chapter 3. Images of People and Places before 1800: A Prehistory of National Clichés
• 3.1 Introduction
• 3.2 Visual Culture before Industrialization
• 3.3 The Same Image at Various Places for the First Time: Images of People and Places in Popular Print
• 3.4 Epistemological Status of Images of People and Places
• 3.5 Topographical Images: Vedute, Prospects, and Perspective Prints
• 3.6 Realist Images of People in Popular Media: Catchpenny Prints
• 3.7 Eighteenth-Century Images of People and Places in Other Popular Media
• 3.8 Conclusion
• Chapter 4. Authentically Dutch: Images in Anthropological Discourse
• 4.1 Introduction: Snelleman's Conceptual Problem
• 4.2 Visual Spectacle of Ethnic Diversity: Afbeeldingen van Kleeding, zeden, en gewoonten (1803-1807)
• 4.3 Relics of Tradition, Grounded in Space: Nederlandsche Kleederdrachten, en Zeden en Gebruiken (1849-1850).
• 4.4 The Nation in One Image: Volkeren van Verscheyde Landgewesten (c. 1833 or 1856-1900) and In deze prent zullen de kinderen opmerken... (c. 1800-1820)
• 4.5 Narrowing down the Motifs: Popular Photographs (1870-1890s)
• 4.6 Fixing the National Cliché (1890-1900)
• 4.7 Playing with the Cliché (c. 1900-1914)
• 4.8 Dutch Clichés of Dutch Origin: Trade Cards by Philips and Bensdorp
• 4.9 "Dutch" as Combination of Costume and "Race
• 4.10 Early Cinema's Heritage of Anthropological Discourse
• 4.11 Conclusion
• Chapter 5. Typically Dutch: Images in Popular Geography and Armchair Travel Media
• 5.1 Introduction: Geography and Popular Science
• 5.2 Patterns for the Presentation of Knowledge in Geographical Discourse
• 5.3 The Encyclopaedic Pattern
• 5.4 The Panoramic Pattern
• 5.5 The Virtual Travel Pattern
• 5.6 Conclusion
• Chapter 6. Selling a "Dutch Experience": Images in Tourism and Consumer Culture
• 6.1 Introduction: Discovering the Authentic
• 6.2 Before Tourism: Travel in Leisure through and to the Netherlands
• 6.3 Travel Promotion by Thomas Cook & Son, the VVV, and the Centraal Bureau
• 6.4 Narrated and Practical Guidebooks
• 6.5 The Cliché in Consumer Culture: Dutchness in Advertising Trade Cards
• 6.6 Picture Postcards
• 6.7 Lantern Slide Sets
• 6.8 Film
• 6.9 Ways of Looking at Dutchness: Reactions to the Cliché
• 6.10 Conclusion
• Chapter 7. Conclusion
• 7.1 Towards an Archaeology of Filming "the Nation/al
• 7.2 Outlook
• Bibliography
• Published Sources
• Other Sources and Ephemera by Medium
• Digital Resources
• List of Figures
• Index.