Genre, Authorship and Contemporary Women Filmmakers.
Assesses Irish republicanism's strategic process of moderation, from violence to peace and power.
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press,, 2018. ©2018. |
| Year of Publication: | 2018 |
| Edition: | 1st ed. |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (306 pages) |
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Table of Contents:
- Intro
- Title page
- Copyright
- CONTENTS
- FIGURES
- ACKNOWLEDGEMENTS
- INTRODUCTION: IMPOSSIBLE LIAISONS? GENRE AND FEMINIST FILM CRITICISM
- 1. SUBVERSIVE AUTEUR, SUBVERSIVE GENRE
- 2. REPEAT TO REMAKE: DIABLO CODY AND KARYN KUSAMA'S JENNIFER'S BODY
- 3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW'S THE HURT LOCKER1
- 4. GENRE IN THE MARGINS: KELLY REICHARDT'S MEEK'S CUTOFF
- 5. GENRE ON THE SURFACE: SOFIA COPPOLA'S MARIE ANTOINETTE
- 6. WHAT A WOMAN WANTS? NANCY MEYERS'S THE INTERN
- AFTERWORD: DESPERATELY SEEKING WONDER WOMEN
- BIBLIOGRAPHY
- Index.