T. S. Eliot's Dialectical Imagination.
Eliot's Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
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| Superior document: | Hopkins Studies in Modernism Series |
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| Place / Publishing House: | Baltimore : : Johns Hopkins University Press,, 2018. Ã2018. |
| Year of Publication: | 2018 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Hopkins Studies in Modernism Series
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| Online Access: | |
| Physical Description: | 1 online resource (236 pages) |
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Table of Contents:
- Cover
- Half Title
- Title
- Copyright
- Dedication
- Contents
- Acknowledgments
- Abbreviations
- Introduction: Logic and Longing in T. S. Eliot
- 1 The Debate between Body and Soul in Eliot's Early Poetry
- 2 Eliot's First Conversion: "Rhapsody on a Windy Night" and the 1913 Critique of Bergson
- 3 Eliot's Debt to F. H. Bradley: Reality and Appearance in 1914
- 4 The Poet and the Cave-Man: Making History in "Sweeney among the Nightingales" and The Waste Land
- 5 Individual Works and Organic Wholes: The Idealist Foundation of Eliot's Criticism
- 6 Poetry and Despair: The Hollow Men and the End of Philosophy
- 7 Love and Ecstasy in Donne, Dante, and Andrewes
- 8 Elio t's Second Conversion: Dogma without Dogmatism
- 9 An Exilic Triptych: The Waste Land, Ash-Wednesday, "Marina"
- 10 "Into our first world": Return and Recognition in Burnt Norton and Little Gidding
- 11 War and the Problem of Evil in the Wartime Quartets: Reason, Love, Poetry
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y.