Dreamscapes in Italian cinema / / edited by Francesco Pascuzzi and Bryan Cracchiolo.
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| Superior document: | The Fairleigh Dickinson University Press series in Ialian studies |
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| TeilnehmendeR: | |
| Place / Publishing House: | Madison : : Fairleigh Dickinson University Press,, [2015] 2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | Fairleigh Dickinson University Press series in Ialian studies.
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| Online Access: | |
| Physical Description: | 1 online resource (207 pages) :; illustrations (some color) |
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Table of Contents:
- Introduction / Francesco Pascuzzi, Bryan Cracchiolo
- Dreamed cinema, cinematic dreams: dreamscape, neurosis and desire in Federico Fellini's 8 1/2 / Avishek Parui
- The uncanny and mannequins: the dream-like qualities of two Italian gothic films, Il mulino delle donne di pietra and Lisa e il diavolo / Fernando Pagnoni, Amy M. Davis
- Massimo Fagioli's influence and psychoanalysis in Marco Bellocchio's Il diavolo in corpo / Alessandro De Stefanis
- The visionary realism of Marco Bellocchio's Buongiorno, note / Francesco Rabissi
- The ironic oneiric: Nanni Moretti and the cinematic challenges of the 1970s / Axel Andersson
- Life is but a dream: reveries, nightmares and other worlds in the films of Nanni Moretti / Eleanor Andrews
- Sublimation, myth and the work of dreams: radical nostalgia and melancholic attachment in Pier Paolo Pasolini's Edipo re / Linda Belau
- The cinedream in Pasolini and Cassavetes / Anthony Cristiano
- Gradivae and nymphs: walking women in the dreamscapes of Italian cinema / Maurizia Natali
- Dreams, nightmares, and hallucinations in Francesca Comencini's cinema / Letizia Bellocchio
- The nightmarish in Dario Argento's mother trilogy: spatial oddities and family ties / Sandra Waters.